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thales100 Moderator
Posts : 24 HAF Points : 38 HAF Reputation : 10 Join date : 2013-03-22 Location : Brazil
| Subject: Nibiruans, divinity and the truth Fri Aug 16, 2013 4:11 am | |
| " Nibiruans, divinity and the truth" is divided in sixteen interconnected chapters. We recommend you to start by parts 1 to 10. 1- The Core 2- Earth, Moon and Mars Connections 3- Clementine Moon Images Censored 4- Extraterrestrial Humans and Elongated Skulls 5- Humans "Creating" Humans ? 6- The Triple Connection: Middle East, Atacama and Moon 7- Pakal's Last Journey: The Mayan Connection 8- Orion's Belt: The Egyptian Connection 9- Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42 10- The Bottom Line And we include six addendums with extra connections, cross-references and concepts related to the topic. Our team moves further into the scene, using perception. A- Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection) B- Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System C- "Kingdom in Heaven" x Interstellar Monarchy D- One Last Lunar Reflection E- The Final Journey F- Orion and Beyond: Reminiscences _________________________________________________ 1- The Core Orionians created homo sapiens by genetic manipulation of a preexisting species, 300,000 years ago... At a given and intriguing moment, they left Earth so humans could evolve as species, as in the universe, cosmic evolution is related to species, not individuals... Orionians are everywhere in the solar system, except the planet they allowed for the humankind... There are extraterrestrial humans all over the solar system, descendants of the first homo sapiens, taken by Orionians to colonize and work in other planets... These extraterrestrial humans are related to our concept of "angels", intermediaries between "Heaven and Earth", or Orionians (Gods) and humans... Extraterrestrial humans, sent by Orionians, are who ancient cultures called "anunnakis"... What till now we called "divinity" will be understood as "highest technology" one day... Orionians are Gods of technology, they "cracked" death and reached virtual immortality by cloning and manipulating DNA structure, individual's conscience and past experiences... The All-Seeing Eye of God is a symbol linked to our origins, referencing to the region below Orion's belt... Jesus Christ, who was an extraterrestrial human, "the son of God", sent by Orionians, didn't "resurrect" after three days, he was cloned "on the run"... Love can explain why Orionians left Earth for us, humans... We are them, and they are us... Relativity is the key to understanding why we humans currently must evolve as species without interactions from Orionians... Once we add Orionians into our reality, we have to open our minds as much as possible, what means forgetting relativity, and drop in the full scene, as much as we can... The concept of "soul" is related to an extract or essence of each human being, meaning individual's DNA and conscience... The biblical concepts of "resurrection" and "eternal life" are based on the use of the highest genetic technology by Orionians... The Celestial's statue on the Moon is faced by Earth for eternity... "Our Father in heaven, hallowed be your name. Your kingdom come, your will be done, on Earth, as it is in heaven."
The human origins of the anunnakis, the first kings and pharaohs, have been evidenced by the historical registries of the ancient cultures, including the sumerian tablets... The royal bloodlines, initiated by extraterrestrial humans, in a time when kingship was handed down by Orionians, were gradually mixed with terrestrial human DNA, as it is evidenced by the Sumerian King List... In the period from 453,600 BC to 21,767 BC, in Eridu, the reigns were exercised solely by Orionians, having an average duration of 28,523 years... From the first dynasty of Kish, the reigns were exercised by extraterrestrial humans, with a much lower duration, between 762 and 228 years... From the second dynasty of Uruk forward, the terrestrial human DNA became more important in the royal bloodlines, translated into an average duration of reign between 62 and 14 years... The ideal concepts of unconditional love for our children, respect for each human being as precious and unique, respect for all forms of life and goodwill, are universal... The apparent lack of participation of Orionians in our reality is in fact determined by our downgraded analysis abilities, as we have a hard time understanding the global picture (1)... Orionians' appearance, as it may look terrifying for us humans, what's certainly relative, can be depicted from the great central statue at Reiner Gamma' area (USGS 299.52 8.45), on the Moon... Despite all controversies about his origins, age at death and DNA tests results, maybe we could take Ata, the little being found in the Atacama desert, as close as currently possible from an Orionian's appearance ?... Ubaid clay head from the site of Tell el-Oueili, dated to the early Ubaid period (around 5,800 BC); the artist that's created it emphasized the large oblique eyes, the "cone head" and the thin lower part of the face... Ubaid statuettes (note the large oblique eyes and the "cone head" of both mother and baby) depicting a female Orionian as mammal, like us, and a male Orionian with the sexual organs positioned and appearing exactly like humans... Ata was certainly a fetus, despite not being a "traditional" fetus, when he died; the umbilical cord can be easily noticed... Two other characteristics of the head: left and right sides of the face form a very pronounced obtuse angle; the eyes extend obliquely across the face till the frontal limit of the head... Orionians are mammals, with a reptilian appearance, derived primarily from the angled face and the oblique eyes... Mammal-like reptiles were the prehistoric reptilian ancestors of mammals on Earth; this may point towards the concept of panspermia... Cosmic evolution, in general terms, is only related to species... Orionians granted to humans a "soul" when they allowed Earth for us, as the individualization of evolution, based on genetic technology... Death by itself isn't the end, nor the beginning, it's just the inevitable middle part of the evolution process... Earth is the mother planet for all humans, Earth is the beginning... (1) Thanks to pinealnanotravel for this concept._________________________________________________ Nibiruans, divinity and the truth is dedicated to someone very special,
and in memory of Padre Crespi, Stan Hall, Juan Moricz and Zecharia Sitchin special thanks to NASA, USGS, ESA and of course the Google boys thanks to Alexander at [ HumansAreFree.com ], Ken at [ ZechariaSitchin.com ] and Luke at [ GrahamHancock.com ] also thanks to all the truth seekers whose efforts helped us team management by thales and much respect for all the inestimable contribution to kane and pineal _________________________________________________ 2- Earth, Moon and Mars Connections Click on the subject below to open the respective album on thales100.imgur.com. The albums also contain all information concerning each image. The Creation of Humans - Earth "(...)The Nefilim did not create the mammals or the primates or the hominids. "The Adam" of the Bible was not the genus Homo, but the being who is our ancestor - the first Homo sapiens. It is modern Man as we know him that the Nefilim created. The key to understanding this crucial fact lies in the tale of a slumbering Enki, aroused to be informed that the gods had decided to form an adamu, and that it was his task to find the means. He replied: "The creature whose name you uttered - IT EXISTS" and he added: "Bind upon it" - on the creature that already exists - "the image of the gods." Here, then, is the answer to the puzzle: The Nefilim did not "create" Man out of nothing; rather, they took an existing creature and manipulated it, to "bind upon it" the "image of the gods." Man is the product of evolution; but modern Man, Homo sapiens, is the product of the "gods." For, some time circa 300,000 years ago, the Nefilim took ape-man (Homo erectus) and implanted on him their own image and likeness(...)"The Twelfth Planet, Zecharia Sitchin The Creation of Humans - Moon (~90Km x 50Km geoglyphs set) Huge set of geoglyphs depicting the creation of homo sapiens by Orionians. It includes five different geoglyphs. The depiction of a female ape, and her baby, is on the bottom of the set, being connected to the man, on the top of it, and the representation of the genetic manipulation, at the middle, by a long geoglyph depicting the double helix structure of the DNA. There is a geoglyph positioned in front of the man, of an "anunnaki's" head ("THE ADMIRER"), looking at him. The geoglyph of the DNA structure represents the evolution of homo sapiens, from an ape. The manipulation performed by Orionians of the DNA, is represented by the staff entwined by serpents that crosses the DNA structure, at the middle of it. The result of the manipulation is the homo sapiens, being admired by the extraterrestrial human, as the geoglyph of his head was positioned exactly in front of him. Please note how the geoglyphs were symmetrically arranged when composing this WONDERFUL set. Check "THE CREATION OF HUMANS" ALBUM for all images and additional information. - Click on the image to enlarge - 3- Clementine Moon Images Censored As you can easily notice, the photos (Clementine) were partially censored. A blur mask (red) was vertically applied across the images, but only on some very specific parts (blue), meeting US Government current disclosure policy. This fact becomes even more evident when you observe geoglyph sets, as the geoglyphs were symmetrically arranged, the blur masks follow notably the exact same path. Anyway this is the only chance we would not be stuck to LROC 100% manipulated images, so a big THANKS to US Gov. (NASA and USGS). 4- Extraterrestrial Humans and Elongated Skulls "The Admirer" (part of "The Creation of Humans" geoglyphs set, please check above in part 2- "Earth, Moon and Mars Connections") depicts an extraterrestrial human, with an elongated skull. He shows in this fantastic geoglyphs set his origins from homo sapiens (that we can call H1). H1 experienced the two original major genetic manipulations by Orionians, the creators of humans: the first resulted in the creation by itself, from a preexisting species (ape-man); the second manipulation gave to humans the ability to reproduce. Extraterrestrial humans (H2) experienced other genetic manipulations, including as result an extra cranial capacity when compared to H1s. The elongated skull characteristic of H2s has been registered by ancient cultures. This human characteristic on Earth was gradually eliminated as the H1 DNA became more important in the H2 bloodlines. H1 tried to "emulate" it artificially, as we also know, by changing skull's shape, and not cranial capacity, of course. 5- Humans "Creating" Humans ? We got an email from Germany asking if extraterrestrial humans couldn't be the real creators of humans, what means following a more "orthodox" understanding, approaching to Sitchin's theory of the anunnakis. Well let's use our discernment and intelligence: 1- An advanced alien race, guess who, humans, or "just like" human beings, arrives on a distant unknown planet and, after some time, decides to genetically manipulate a preexisting native species of this planet (ape-man), to create a primitive worker. 2- As the result of this manipulation, they get.... human beings just like themselves! Humans were only created at the moment that Orionians genetically manipulated ape-man. Our creators are not humans. Following this line of reasoning, we could check an interesting area at "Mare Fecunditatis", on the Moon. - Click on the image to enlarge - Near the geoglyph we called "The Dog", there are two huge humanoid statues. Let's take a closer look at the statue on the left... And darken a bit the image. Zooming in a bit... And a bit more... This fantastic statue (USGS 51.51 -19.3) depicts an extraterrestrial human, that we called H2, with the typical elongated skull, and not the "cone head", characteristic of Orionians. 6- The Triple Connection: Middle East, Atacama and Moon The evidences are now taken to the next level. From the "cone head, coffee bean eyed" figurines of neolithic Middle East, we establish a groundbreaking connection with humans creators' appearance on the Moon, making clear why the Ubaid clay head, shown in part 1- "The Core", is the key to understanding the origin of all these figurines. Then, from the Atacama desert geoglyphs, a magnificent new connection is established with the Moon, showing that Ata, the little being found mummified in the Atacama, is actually inserted in a full comprehensive context. Finally, the triple connection: traces of the extraterrestrial human presence on Earth, from Ubaid period and Atacama, are connected together and directly to the Moon. ____________ Reiner Gamma's area on the Moon, once again the phenomenal statue depicting the Orionian King. The enormous structure where this statue is located is inlaid perpendicularly into the Moon, what means that it faces the space, not Moon's surface (compare it to Reiner Gamma's "bright duct" and the four-sided structure at its end). - Click on the image to enlarge - The statue is clearly positioned at a transverse position in relation to the camera's point of view, in approximately 45 degrees. The King is depicted sitting on a throne and holding a sceptre. Please check "CENTRAL STATUE" ALBUM for all images. We used a 3D model (artistic view), based on the Ubaid clay head from the site of Tell el-Oueili, comparing it to the statue on the Moon. - Click on the images to enlarge - It becomes evident the interconnection with the front of the statue's head, remarkably the "cone head", large oblique eyes and the angled face. - Click on the images to enlarge - These three characteristics are well known on Earth in many neolithic figurines, from different cultures of Middle East, separated by thousands of years. All of these figurines do share one same origin, the appearance of Orionians with their headgear on. The Ubaid 0 clay head, as you can notice from the images above, is certainly the most accurate representation. It intends to show how the headgear looked like, from a meticulous observer, not trying to depict how the being behind it could look like, as most of these figurines are actually based, or stylizations derived from long past descriptions, and not from an actual observation by the creator of the figurine. The differences between these figurines, despite always preserving the "cone head, coffee bean eyes and angled face" characteristics, show how rare, limited but at the same time impacting, had been the visualizations of humans' creators by these ancient cultures. - Click on the images to enlarge - The depiction of the full body reptilian figurines, i.e. Ubaid statuettes from Eridu and Ur, intended to show how neolithic humans imagined the appearance of Orionians. Note the naked body of the male, or the breastfeeding female in her panties - but always with the cone head, coffee bean eyes and angled face. In this case, these characteristics lead to the way they could be understood by these ancient cultures - reptilian humanoids, somehow similar to two legged desert monitor lizards, with cone heads. The truth, evidently, was far beyond that. Please check "FIGURINES OF NEOLITHIC MIDDLE EAST" ALBUM and "OTHER REPTILIAN FIGURINES" ALBUM for all images and additional information. - Click on the images to enlarge - Interconnecting the head of the Reiner Gamma's statue, the 3D model we used before, based on the Ubaid 0 clay head, and the model of the reptilian head, based on the Ubaid statuettes, we could achieve a 3D model (artistic view) featuring the approximate appearance of an Orionian's head. - Click on the images to enlarge - . . . Now we will check some very particular geoglyphs from Valle de Lluta, Azapa, Chiza and Cerro Pintados sites, in the Atacama desert. La Noria, the small village where Ata was found, is located inside this same region of northern Chile. - Click on the image to enlarge - The first representation, that we called "The Horned Dancer", can be found at the Azapa and Chiza sites, in the Atacama, and also on the Moon, depicting a standing humanoid figure, with horns, and open arms. Note that in the Chiza and Moon versions, the figure features partially flexed legs. - Click on the image to enlarge - The second representation, "The Climber", found again at the Chiza site and on the Moon, depicts a humanoid figure with one leg and one arm extended, climbing a stairway. - Click on the image to enlarge - A magnificent connection is established by the presence of these two representations in the same geoglyphs sets, at Chiza and on the Moon. - Click on the image to enlarge - At Valle de Lluta and Cerro Pintados sets, we can find geoglyphs depicting the enormous skull and the triangular shaped face, both characteristics of the Orionians. They are represented wearing what seem to be hooded robes, in the Cerro Pintados' geoglyphs. - Click on the images to enlarge - Ata introduces an interesting paradox - his physical characteristics are apparently so close to a human being but he isn't, in fact, human. Ata is a descendant of the same humanoid blueprint that originated ape-man on Earth, derived of panspermia, and that hundreds of thousands of years ago genetically manipulated ape-man to create homo sapiens, using some of their own characteristics (“in the image and likeness of God”). Achieving the truth requires an overview of all information. Please check "GEOGLYPHS" ALBUM for all images and additional information. . . . The region in northern Chile where Ata was found, in 2003, and the prehistoric geoglyphs in the Atacama desert were made, is perfectly inserted in the area where existed the Puma Punku / Tiahuanaco complex. Elongated human skulls have been found not only at north, in Tiahuanaco, but also to the south, in the region of San Pedro de Atacama, and to the west, at Paracas. When we talk about elongated skulls, there are different aspects that should be considered. The original characteristic of extraterrestrial humans (H2), representing extra cranial capacity, was "diluted" along time on Earth due to the increasing terrestrial human DNA presence in the H2 bloodlines. Also, homo sapiens (H1) tried to "emulate" this H2 characteristic, but what they were capable of doing via this technique, was to change the shape of the skull, not the actual volume; you could alter the shape, but not the size. So, elongated skulls that represent a compatible increase of the cranial capacity, belong to the original characteristic of the H2. Elongated skulls without any increase of cranial capacity are related to H1's artificial "emulations". Hybrids H1 x H2 may feature intermediary results. - Click on the images to enlarge - The triple connection "Middle East - Atacama - Moon" is roundly established by the presence of elongated human skulls from Ubaid period (like the ones found in Eridu), Atacama and the ones depicted on the Moon, the cuneiform (proto) writing signs (please check the "CUNEIFORM (PROTO) WRITING: MESOPOTAMIA - SOUTH AMERICA - MOON" ALBUM for all images and information) and also the traces of the presence of humans' creators as the Ubaid 0's clay head, Ata and the Reiner Gamma's central statue. - Click on the images to enlarge - Interconnecting elongated skulls found at Paracas and the wonderful statue on the Moon, at the "Mare Fecunditatis" area, shown in part 5- "Humans "Creating" Humans ?", we could achieve a drawing of the aspect of an extraterrestrial human (artistic view, it doesn't intend to represent how our team imagines a H2, since the intrinsic value of every human lies on his/her individuality), showing the typical elongated skull. - Click on the images to enlarge -
Last edited by thales100 on Wed May 06, 2020 11:46 am; edited 121 times in total | |
| | | thales100 Moderator
Posts : 24 HAF Points : 38 HAF Reputation : 10 Join date : 2013-03-22 Location : Brazil
| Subject: Re: Nibiruans, divinity and the truth Wed Jul 08, 2015 9:01 am | |
| 7- Pakal's Last Journey: The Mayan Connection The fantastic carved image represented on the top of the slab that covers Pakal's sarcophagus, at Palenque.... The famous "astronaut". We will prove that it depicts the moment that Pakal emerges to a new life by his Gods, possibly as the most fascinating evidence we have added to this topic so far. ____________ USGS (311 26.51), a wonderful geoglyphs' set on the Moon (~70Km x 30Km). Pakal is represented on the same zero-gravity position as in the mayan carved image, with stylizations of "spirits" or "ghosts" raising him, and two modeled human faces emerging from crocodiles' mouths, at the bottom of the set - the astonishing "second act" of the carved image on top of Pakal's sarcophagus. The symbolism is absolutely remarkable, just like in the carved image at Palenque, meaning in essence that Pakal raises up for a new life through Gods' hands. In the geoglyphs' set, Pakal is depicted on the same "astronaut" position, but now his hands are not "loose" anymore, as he holds a bar. - Click on the image to enlarge - The right foot is facing to the left, and the left foot is extended, just like in the mayan carved image. Also, there is the depiction of a breathing support system. - Click on the images to enlarge - At the bottom of the set, the depiction of two human faces emerging from crocodiles' mouths, following the mayan symbolism, as it represents the extraterrestrial (H2) origin of Pakal. - Click on the images to enlarge - At the top, stylizations of "spirits" or "ghosts", connected to the bar which Pakal firmly secure, raising him up through the last journey: - Click on the image to enlarge - the call of Orion... - Click on the image to enlarge - 8- Orion's Belt: The Egyptian Connection We definitely establish the extraterrestrial origin of the great pyramids, and unveil that the alignment of the Giza pyramids with Orion's belt doesn't lie on its relative position from Earth, sometime in the past, but it goes far beyond that... ____________ At the end of Reiner Gamma's "bright duct", an extraordinary set composed of three pyramids, following the Orion's belt pattern, that was also used in Giza. - Click on the image to enlarge - Note how the central square based pyramid, relative to Alnilam (USGS 304.85 11.53) and shown before in part 2- "Earth, Moon and Mars Connections", is adjoined to the extremity of the "bright duct". - Click on the image to enlarge - The first pyramid, relative to Alnitak (USGS 306.36 10.44), is pentagon based, similar to the pyramid at Cydonia, on Mars. The third pyramid, referencing to Mintaka (USGS 303.04 12.2), is square based. - Click on the image to enlarge - - Click on the images to enlarge - Differently from the set of Giza, these three lunar pyramids establish two major patterns: the first, as in Giza, is linked to Orion's belt relative position at a given time and location; the other pattern is formed by the clockwise rotation of the second and third pyramids (ref. Alnilam and Mintaka) over their own axes, resulting, when you consider the whole set, in a "vector" that summarizes a direction of travel. - Click on the images to enlarge - In both sets, at Giza and on the Moon, the smallest pyramid, referencing to Mintaka, is the one which deviates from the diagonal. In fact, what really matters is the alignment of the three pyramids, not their disposal in relation to the environment where they were built, since this alignment is established as an interstellar pattern with a magnificent symbolic component. The alignment with the belt of Orion at Giza can be detected from a simple aerial view, but these lunar structures are so extraordinary that a view from Moon's surface would be pointless even to establish them as a pyramids set; only from a low Moon orbit their sense as an actual set could be determined. - Click on the image to enlarge - The height of the pyramids, angle of the photos, and also the distance between the pyramids, hinder the accurate determination of the center of each structure, as you can notice when we compare three photos of the Giza's set, taken from different positions. Since the three stars that form the belt of Orion are situated relatively far from each other, different points of view from the space may result in diverse aligments for the belt. - Click on the images to enlarge - So, the consideration of cardinals points or the relative position of the three stars as seen from Earth (or Moon) sometime in the past, would make sense only if there was a local component in the arrangement of these pyramid sets, what is not the case. Both sets are aligned with Orion's belt, and from a perspective far beyond our reality, in time and space. The "emulation" on Earth of the building of a three pyramids set was registered in the "Monkey and Pyramids" geoglyph, in Nazca (14°42'24"S 75°8'18"W). The "monkey", referencing to humans, builds three pyramids using a laser tool (or similar device) to cut the stones. - Click on the image to enlarge - The area where this geoglyph was made is inserted in the same region where the geoglyphs sets of the Atacama desert, shown above in part 6- "The Triple Connection: Middle East, Atacama and Moon", are located, linked to the Puma Punku / Tiahuanaco complex. - Click on the image to enlarge - We focus on the origin of the lunar's pattern of Orion's belt in part 10- "The Bottom Line". The "vector" defines a direction of travel to the stellar region below Orion's belt that is demonstrated in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42". - Click on the image to enlarge - 9- Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42 The mayan hearth, connected to the alignment of three extraterrestrial pyramids, leading the way straight to M42.... From Orion's belt, not only the origin of humans' creators emerges, but also, ultimately, our own... ____________ Reiner Gamma area, there are some geoglyphs linked to the pyramids' set. Following the alignment of the belt of Orion, and the clockwise rotation of the second and third pyramids over their own axes, a "vector" is formed defining a location represented in the region below Orion's belt. Let's take a closer look at this very particular position (USGS 307.55 12.26)... - Click on the images to enlarge - The "vector" ends at the middle of a circle, that is surrounded by an almond shaped drawing - it's the stylization of an eye. - Click on the images to enlarge - If we compare the Moon's set with the image of Orion, the relative position of the eye, beside M42, is projected inside the triangle formed by the interconnection between Rigel, Saiph and Alnitak - the "three hearth stones" of the mayans, the place of the "first creation". - Click on the image to enlarge - Orion is depicted as a turtle with the three stones glyphs on its back (referencing the three stars), forming an equilateral triangle. Oxib X'kub' represents the mayan hearth, and in the center of the triangular pattern is located M42. - Click on the images to enlarge - In the Southeastern Ceremonial Complex (or the Southern Cult), name given to the regional stylistic similarity of artifacts, iconography, ceremonies and mythology of the Mississippian culture, from 1200 to 1650 AD, the "Hand and Eye" motif is a human hand with an eye gazing out from the palm, a symbol of deity (image below at left). The "Hand Constellation" is actually the bottom half of Orion and it was considered a portal to the otherworld in Southeastern US cosmology. The three belt stars represent a severed wrist. The Lakota and other Plains indians also saw a star grouping that they called "The Hand" in the bottom half of Orion. The "Eye in the Hand" motif is of global significance in widespread cultures, for example the Hamsa hands or, in terms of the oldest known example, Çatalhöyük, Turkey, from the early neolithic. The Eye of Horus, or the eye of the "God of the kings", or the "Lord of the sky".... And the All-Seeing Eye of God, an eye enclosed by a triangle, referencing the same symbolism, formed by the three stars of Orion, that the mayans adopted for the place of the "first creation"... The Eye of Horus is "the eye of the falcon"... Checking again the area of the lunar pyramids, you can notice the falcon's geoglyph, shown before in part 2... - Click on the images to enlarge - Now we will compare the pyramids' set on the Moon and the image of the bottom half of Orion. In images 1 to 3, the Moon's set is rotated over Orion until the three pyramids are aligned to the stars of the belt (not perfectly aligned due to the difference in the pattern that was used when the lunar set was built and its relative position from Earth nowadays, or imprecision in the exact determination of the center of these pyramids due to the quality of the image used). In image 4, the whole picture is rotated, making the visualization of M42 easier. In the last image, the interconnection between M42 and the falcon's geoglyph becomes evident... The stylized eye on the Moon, positioned at the end of the "vector" formed by the alignment of the three pyramids, represents an interstellar portal, situated under Orion's belt, as relatively seen from Earth. The transit between the two systems, the bottom half of Orion and where our solar system is located, is performed through the M42's portal, possibly using the pyramids for this. M42 is the falcon... 10- The Bottom Line We introduce the final concepts of "The Orionians", "The System" and "The All-Seeing Eye of God", unveiling that the conspiracy theories about the "secret societies" should not go as deep as you may possibly imagine. From Sedna to Mercury, and including our Moon, there isn't a single inch of unexplored territory in the solar system. There is nothing more linked to evolution than diversity. ____________ After connecting our origins to the bottom half of Orion in parts 8 and 9, we can introduce these three concepts: The Orionians Originated from the bottom half of Orion, these extraordinary beings have met humankind's fate twice - firstly, derived of panspermia, the same humanoid blueprint that originated Orionians resulted in ape-man on Earth; and much later, a few hundreds of thousands of years ago, they genetically manipulated the ape-man to create homo sapiens, using some of their own characteristics: Panspermia...
Millions of years later, Orionians got the necessary technology to reach the solar system. The universal laws of physics are in fact, and still, universal, but there are shortcuts to "circumvent" them... Amazed, Orionians find on Earth the ape-man, as result of cosmic evolution in our planet of the same humanoid blueprint that had originated themselves...
Hundreds of thousands of years ago, they genetically manipulated the ape-man to create homo sapiens (H1), as a species evolved enough to colonize other planets... Humans soon settled in the entire solar system... Orionians leave Earth for humankind, allowing our species to meet the "human way" through cosmic evolution... Our free planet is located within a monarchical system connected to Orion and governed by our creators...
Two varieties of humans... One with access to extraordinarily high technology, plus with a wide view of the universe, and the other experiencing a slow and painful evolution, limited to a single planet... Extraterrestrial humans were submitted to a fantastic induced evolution, since the new challenges proved to require, among other atributes, an extra cranial capacity when compared to H1s...
Orionians and extraterrestrial humans (H2) keep sporadically visiting Earth... H2s were the interlocutors with the sumerians and other ancient cultures, that considered them "deities"... They described the story of the creation of homo sapiens, citing, among others, Enki, the extraordinary Orionian scientist...
The System It is a phenomenal complex, politically organized as a "dual level" monarchy, in which Earth is located. The Kingdom raises from the bottom half of Orion (as relatively seen from Earth) and reaches the solar system, where the monarchy is carried out by extraterrestrial humans, as a direct allowance of Orionians. The transit between the solar system and the bottom half of Orion in performed through an interstellar portal situated under Orion's belt, described in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42". The Sumerian King List, listing kings from Sumerian and neighboring dynasties.... Kingship, at that time, was handed down initially by Orionians and later by extraterrestrial humans. The same monarchy adopted by humans' creators since ages before, and posteriorly introduced by them in the solar system, had the first H1s as kings when the royal bloodlines, composed by H2s, got an increasing terrestrial human DNA's presence. The wonderful statue on the Moon depicting the Orionian King.... The symbols of the monarchy used by our creators - crown or tiara, staff or sceptre and throne, were introduced by them in the solar system and are used until these days by the remaining monarchs on Earth. Sitchin, with a keen perception, did a terrific job outlining the core of his theory. In "The 12th Planet", he described the creation of homo sapiens by the genetic manipulation of a pre-exisiting species (ape-man), what can be cross-referenced by the geoglyphs' set on the Moon that we called "The Creation of Humans" (please check in part 2- "Earth, Moon and Mars Connections"), and also mentioned an event related to panspermia, focused by us as the "Ata's paradox" in part 6- "The Triple Connection: Middle East, Atacama and Moon". Nevertheless, two "approaches" of his work seem to be off the brilliant central line - the idea of Nibiru, a distant planet in the solar system, as the origin of the "anunnakis" that 300,000 years ago reached Earth and created humans, and also the human nature of our creators, a paradox which was focused by us in part 5- "Humans "Creating" Humans ?". The key to better understanding both of these aspects lies on the sumerian cylinder seal "VA/243", in the collection of the Vorderasiatisches Museum in Berlin. This seal was used by Sitchin as a defense for sumerian knowledge of more than five planets in the solar system, what isn't possible to the naked eye, and the existence of a huge unknown planet, presenting a highly elliptical orbit (HEO), called "Nibiru". In fact, both statements are correct. But this magnificent object certainly deserves a more detailed analysis: 1- The depiction of an extraterrestrial human, with the typical elongated skull, sitting on a throne and holding a staff (representing a H2 monarch), receiving two standing terrestrial humans (the central figure possibly representing a H1 monarch), holding hand in hand, and in sumero-akkadian signs the expression "Your Servant". 2- The representation of a spaceship, with an aerodynamic shape, featuring the landing gear and a parabolic structure over it, directed to the solar system, consisting of the Sun and planets orbiting it. Both depictions clearly denote dominion. Sitchin interpreted extraterrestrial humans, or the "anunnakis", as our creators, and Nibiru as their origin; the sumerians considered H2s "deities", an expected behavior. Achieving the truth requires the use of our discernment to go beyond this connection - nibiruans and divinity. Nibiru, or "Planet X", the way you prefer calling it, is only a distant planet in the solar system featuring a HEO, unrelated to being the origin of our creators. The seal VA/243, as we demonstrate below, depicts two of these cold planets - the first, smaller than Mars, in HEO between Mars and Jupiter (side view from the edge of the solar system), and a huge planet larger than Uranus, in HEO between Saturn and Uranus (also side view). The discovery of trans-Neptunian objects in the solar system became often for the last twenty years. Sedna, Eris, Makemake, Haumea, Orcus, Quaoar, among other dwarf planets and satellites, orbit the Sun at a greater average distance (semi-major axis) than Neptune, 30 astronomical units (AU). Pluto itself, that is included in the VA/243 representation as a planet, has an elliptical orbit, but it can't be compared to the HEOs that we are talking about. While Pluto takes 248 years to orbit the Sun, and its average distance from the star is of aproximately 40 AUs, these two planets are possibly located some hundreds of AUs from the Sun, taking a few thousands of years to orbit it. Eris has an orbital period of 558 years, and its average distance from the Sun is of 67.7 AUs, while Sedna, with its exceptionally elongated orbit, takes 11,400 years to complete it, presenting a semi-major axis of 527.7 AUs. Decoding the VA/243's depiction of the solar system firstly requires the comprehension of the context in which this seal was created. Made by an akkadian handicraftsman, it depicts a scene with three human figures, some expressions in sumero-akkadian signs and other representations. Concercing the solar system, the artisan got, directly or not, from an extraterrestrial human, the description of how the planets orbit our Sun. But how could he, using this knowledge, represent different sizes of planets, from a side view of the solar system, respecting their orbits and keeping all of them in order of the nearest to the farthest from the star ? Representing them in terms of their relative sizes considering the whole set would be highly unlikely, if not impossible. So, the artisan ingeniously arranged the eleven planets around the Sun, starting from Mercury, the rightmost, and ending, after a full turn, next to it on Pluto. The size of each of the planets is only relative to the previous and next ones - Venus' representation is larger than Mercury's, Earth's larger than Venus and so on, according to their actual sizes. The nine planets that follow a low elliptical orbit are represented in that way, with the exceptions of Mercury and Pluto, that open and close the arrangement on the right. Finally, the two HEO planets were placed in front of the vertex formed by the stylizations of the sunlight. From a side view of the solar system, the first HEO planet crosses the ecliptic between Mars and Jupiter, and the other one between Saturn and Uranus. Interestingly, Sitchin in his books described Nibiru with a highly elliptical orbit between Mars and Jupiter. Planets would be extremely hard to being detected, even in the solar system, if presenting a HEO. Direct detection is nearly impossible. Astronomers shall use indirect methods like the Kozai mechanism for this, a process in which a larger body causes a smaller body’s orbital characteristics to oscillate around a specific point. Anyway, sooner or later these two last planets will be finally "discovered". The All-Seeing Eye of God It is commonly associated with the freemasonry, and also other societies, invariably used as a high symbol. It shares the same origin of the egyptian Eye of Horus, referencing to the interstellar portal located under Orion's belt, as relatively seen from Earth, that connects the solar system to M42 (please check in part 9). The triangle formed by three stars of Orion, Rigel, Saiph and Alnitak, encloses the eye that represents the portal. . . . . The creation of homo sapiens had an intention beyond a primitive worker to mine gold on Earth; the colonization of the solar system was the real motivation. Mortality, as a synonym of extinction, is an inceptive condition in the System. H1's individual "free will" is relative since it is not only linked but irreversibly tied to our cosmic evolution as species. We are part of something bigger than ourselves. Humankind will meet its destiny as species, and this will come to a price individually - that's where our concept of divine justice acts ( Revelation 21:4). The Orion's belt pattern is a standard referencing to the alignment of the belt as seen from a specific position, relatively close to Earth, at a given time, and followed as a tribute to our origins and creators. The perception of our creators' identities was lost over time, leaving only short traces of the truth. There is a price to be paid - the faster humankind turns back to reality, the higher it will be. Our way of life, consuetudes and social values were created and progressively changed during a gap after the departure of Orionians from Earth. The world "as we know it" wouldn't make through a full official disclosure. The symbols used on Earth linked to our origins - the All-Seeing Eye of God, the vector, the Orion's belt pattern, the three dots arranged in a triangular pattern, among others, represent an easy and direct way of interacting with such different culture and evolution stage, of establishing a simple connection. Make no mistake, all cover-up that has been produced is necessary, and its ultimate objective is to very slowly prepare humankind for a wider view of the scene, rather than keeping any privileges to specific groups. Clementine's Moon images prove it, their disclosure was an enormous step towards the truth. Respect diversity and renounce to stupidity and intolerance. Don't give up, make it worth. Be good. If you do something wrong, don't just feel sorry, fix it; if it can't be fixed, improve yourself, be always an active part for the good of the System - doing so you will stay connected to your origins, until the day you die.
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| Subject: Re: Nibiruans, divinity and the truth Wed Jul 08, 2015 9:05 am | |
| A- Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection) The phenomenal pyramids' set on the Moon (for more details please check in part 8- "Orion's Belt: The Egyptian Connection"). Reiner Gamma's "bright duct" spreads tortuously through the lunar surface for almost 300 kilometers until getting connected to the central pyramid, referencing to the star of Alnilam. - Click on the image to enlarge - The pyramids of Giza are possibly much older than our current history "accepts", or in fact could accept. They were aligned with the three stars of Orion's belt at a specific time and position; the smallest pyramid, referencing to Mintaka, is the one which deviates from the diagonal - exactly like in the lunar's set. At the time when the set of Giza was fully operational, an aglomerate of terrestrial humans (H1), attracted by those extraordinary structures and the "divine events" linked to them, especially vinculated to extraterrestrial humans (H2), used to live at their cercanias. From this proximity, throughout the years, hybrids with H2 DNA were born, of which the most remarkable characteristic was the typical H2 elongated skull. These hybrids formed over millennia a caste that became actually royal from the moment in which the extraterrestrial operation of the Giza set was finished. The egyptian kingship was then based on "divine right". Marriage between father and daughter, or brother and sister, was done to keep the royal blood "pure", perpetuating nobility, since there was no new addition of extraterrestrial DNA. Over time, the egyptian royal bloodlines inevitably got more and more H1 DNA, until that the characteristics of H2s were completely eliminated. "(...)I will settle firm decrees for Harakhty. He begat me to do what should be done for him, to accomplish what he commands to do, He appointed me shepherd of this land, knowing him who would herd it for him. He gave to me what he protects, what the eye in him illuminates. He who does all as he desires conveys to me what he wants known. I am king by nature, ruler to whom one does not give. I conquered as a fledgling, I lorded in the egg, I ruled as a youth. (...) [Mine is the land], its length and breadth, I was nursed to be a conqueror. Mine is the land, I am its lord, my power reaches heaven's height. I excel by acting for my maker, pleasing the God with what he gave. his son and his protector, he gave me to conquer what he conquered." Building Inscription of Sesostris I
Eventually, the egyptian royalty got access to some information about the origin of their ancestors, in a way that the highest technology could be expressed as the terrestrial culture of that time - using metaphors, such as the falcon God, the "solar boat", the snake and the Eyes of Horus and Ra. . . . In the photo below, note how the sunlight reflects on the side faces of the Giza pyramids, causing a shadow projected on and beyond the reverse face of the structure. The same projection can be observed in the lunar pyramids, particularly in the Alnilam's representation. On the apex of this central pyramid, you can notice a four sided area that differentiates from the rest of the structure. If you apply a color filter to the whole uppermost part, a triangular face is highlighted, corresponding to the same lateral face of the pyramid that reflects more intensely the sunlight - it is a pyramidion. . . . The sets of Giza and Reiner Gamma, as referring to the three stars of Orion's belt, honor the origin of our creators. There is only one "power pyramid" in each of the sets. This particular pyramid gathers the access to an extremely powerful energy source and features a high technology pyramidion on its apex. In Reiner Gamma it references to Alnilam, while in Giza the power pyramid, that had its uppermost part removed, is the one which refers to Alnitak. The energy plant of this pyramid was possibly based on cold fusion. In the reverse side of the seal of the United States, there is a clear connection between the All-Seeing Eye of God and a pyramid lacking its uppermost part. It is important to emphasize the link betwixt the All-Seeing Eye of God and the Eye of Horus - they both represent the same interstellar portal, situated under the belt of Orion (as relatively seen from Earth), but using different approaches. While the egyptian Udjat refers to the "eye of the falcon", meaning the "eye of Orion Nebula" (please check in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42"), the All-Seeing Eye of God depicts the eye enclosed by the triangular pattern formed by three stars of Orion, Rigel, Saiph and Alnitak, following the mayan symbolism of Oxib X'kub'. . . . The functionality of a power pyramid is possibly based in a torsion field using the pyramidal geometry, that evolves later, in a second process, to an Einstein-Rosen bridge, making faster-than-light interstellar travel possible. Reiner Gamma is in fact a fantastic power plant, possibly also based on cold fusion. The lunar power pyramid is at least fifty times larger than Giza's, with a square base of length ~11.5 kilometers. - Click on the image to enlarge - Despite the notable size difference, the technology applied in both power pyramids is similar, involving a four sided pyramidal structure, an energy source and a special high-tech pyramidion on the apex. . . . As said above, the ancient culture of Egypt, highly stylized and symbolic, adopted the metaphors when translating the essence of the H2s' reality. Mythology comes from this inspiration, the adaptation of extraordinary extraterrestrial events for a format that the ancient egyptians could understand and express, what resulted in a complex system of polytheistic beliefs and rituals which were an integral part of their society. Ra merged with Horus, as Ra-Harakhty ("Ra, who is Horus of the two horizons", or Re-Harachte).... The falcon with the solar disk on his head travels in the "solar boat", with two stylized eyes as companions. The stylization of the eye was commonly associated with the "solar boat"... The Giza "solar boat", a full-size vessel that was sealed into a pit next to the power pyramid.... It was designed to ferry a pharaoh to the "afterlife". The black granite pyramidion of Merneferre Ay.... The pharaoh is depicted on a boat offering to Horus, "Lord of heaven". The magnificent pyramidion of Amenemhet III.... The solar-disk flanked by uraeuses, and under it the two stylized eyes. At the base of the face, two lines of hieroglyphs: “May the face of the king be opened so that he may see the Horus of two horizons (Harakhty) when he crosses the sky; may he cause the king to shine as a God, Lord of eternity and indestructible, (Harakhty replies that he has) given the beautiful horizon to the king”On the reverse face, part of the inscription reads: "The soul of Amenemhet is higher than the heights of Orion, and it unites itself with the Duat(...)". . . . Orion, "The father of the Gods" Horus, "Who rules the two eyes" A twin portal system, set up from the power pyramids. The Eye of Ra, our Sun's portal, and the Eye of Horus, or the M42's portal, allowing faster-than-light travel between the solar system and the bottom half of Orion...
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| Subject: Re: Nibiruans, divinity and the truth Mon Jul 13, 2015 9:53 am | |
| B- Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System Osiris is a latin transliteration of the ancient greek ó.si.ris, which in turn is the greek adaptation of the original theonym in the egyptian language. In egyptian hieroglyphs the name is written Wsjr, as the hieroglyphic writing does not restitute all the vowels, and egyptologists transliterate the name variously as, among others, Asar and Asari. There are several possibilities as to what this name means, like "the strength of the eye". One of the oldest and simplest form of the name is the hieroglyph of the eye over a throne. The story of the egyptian Osiris centres in his death and resurrection, as the sumerian God Asari was to "raise the dead to life". Nowhere else in babylonian literature, whether sumerian or semitic, we find any reference to resurrection - it is only in the connection with Asari that we hear a possibility that the dead may live again. The group of wedges which are read "Asari" (fig. A) is composed of two distinct characters. The first means "tent" (fig. B), while the second has the meaning of "eye" (fig.C), and it is placed inside the sign for tent, or "the eye in the tent". The word "tent" was a common metaphor for "sky" in the ancient world; there are several examples of this: "In them (i.e. the heavens) He (God) has set a tent for the Sun, which is as a bridegroom coming out of his chamber, and rejoices as a strong man to run his course." The 19th Psalm "Praise the Lord, my soul. Lord my God, you are very great; you are clothed with splendor and majesty. The Lord wraps himself in light as with a garment; He stretches out the heavens like a tent(...)" The 104th Psalm "It is He who sits above the circle of the Earth, and its inhabitants are like grasshoppers, Who stretches out the heavens like a curtain and spreads them out like a tent to dwell in." Isaiah 40:22 The Book of Job imagines the cosmos as a vast tent, with the Earth as its floor and the sky as the tent itself. Asari was son of Ea (Enki), of Eridu. In the language of sumer, Asari signified “the mighty one” or “prince”. The attributes of both Osiris and Asari were the same - Osiris was Un-nefer, “the good being”, whose life was spent in benefiting and civilising humankind, while Asari's common title was that of “the prince who does good to men” ( Asari-galu-dugga). Asari and Osiris are not only the same in name and pictorial representation, they play the same part in the history of religion and culture. The ancient egyptians associated the stars of Orion with Osiris, the Sun-God of rebirth and afterlife. Orion was considered the abode of Osiris following his resurrection, and in ancient Egypt Orion was known as "the soul of Osiris". Traditionally Osiris is considered to be the "Lord of the Two Lands" - "Heaven and Earth". In the pyramids texts tere are several citations of Osiris as the "resurrector": "O Unas, you have not gone dead, you have gone alive to sit on the throne of Osiris"
"You are born for Osiris, o Horus!"
" In your name of He-in-Orion, your time is in heaven, your time is on Earth. Osiris, turn your face so that you see this Unas, your seed which came out of you, the penetrating one! He lives! This Unas lives! He is not dead, this Unas is not dead! He is not gone down, this Unas is not gone down! He has not been judged, this Unas has not been judged! He judges, this Unas judges!" The stars of Orion were regarded as a God called Sah, that, as said above, was syncretized with Osiris. Again, passages from the pyramid texts support this statement: "O Horus, this king is Osiris, this pyramid of the king is Osiris, this construction of his is Osiris; betake yourself to it, do not be far from it in its name of pyramid"
"Hail to thee, O ladder of God, hail to thee, O ladder of Set. Stand up, O ladder of God, stand up, O ladder of Set, stand up, O ladder of Horus, whereon Osiris went forth into heaven"
"Betake yourself to the waterway, fare upstream to the Thinite Nome, travel about Abydos, in this spirit form of yours which the Gods commanded belongs to you, may a stairway to the netherworld be set up for you to the place where Orion is” The constellation of Orion has its origins in the mythology specifically in the Epic of Gilgamesh. Sumerians associated it with the story of their hero fighting the "bull of heaven", represented by the constellation of Taurus. Orion was described by the babylonians both as a constellation and a supreme being. They called Orion “ sipa.zi.an.na”, “the shepherd of heaven”. We can establish a connection between Enki (Ea) and Enlil, the sumerian Gods, and the representation of Osiris or Asari. Ea was the Ninigiku, "Lord of the Sacred Eye", or "Lord Bright-Eyed" ( Nin= Lord; Igi= eye; Ku= silver, bright), as mentioned in the tablet XI of the Epic of Gilgamesh: "When their heart led the great Gods to produce the flood. [There] were Anu, their father, Valiant Enlil, their counselor, Ninurta, their assistant, Ennuge, their irrigator. Ninigiku, (that is) Ea, was also present with them;(...)" And in the "Enlil and Ninlil: The Begetting of Nanna" myth, we will find this citation concerning Enlil: "At that time the maiden was advised by her own mother, Ninlil was advised by Nun-bar-ce-gunu: The river is holy, woman! The river is holy - don't bathe in it! Ninlil, don't walk along the bank of the Id-nunbir-tum! His eye is bright, the Lord's eye is bright, he will look at you! The Great Mountain, Father Enlil - his eye is bright, he will look at you! The shepherd who decides all destinies - his eye is bright, he will look at you!" Note that Enlil is also described as "the shepherd who decides all destinies", a similar approach to the the babylonian term for Orion. . . . In the Enuma Elish, the babylonian creation myth, Asari is cited as one of the many names for Marduk, the late-generation God and patron deity of the city of Babylon, the "Lord of the Gods". When Babylon became the political center of the Euphrates valley around the 18th century BC, Marduk slowly started to rise to the position of the head of the babylonian pantheon, a position fully acquired by the second half of the second millennium BC. There are countless citations for Marduk's supremacy in the ancient texts, including one in the 7th tablet of the Enuma Elish very close to Orion as “the shepherd of heaven”, and similar to Enlil's reference cited above: A Hymn to Marduk for Abi-Eshuh (Abi-Eshuh A) "King who gathers up the divine powers of heaven and Earth, foremost son of Enki, Marduk, mighty Lord, perfect hero, foremost of the Great Princes (a name for the Igigi Gods), strong one of the Anuna, the great Gods who have given him justice and judgment!(...) Your ancestor An, king of the Gods, has made your lordship effective against the armies of heaven and Earth."
"He has given you the supervision of great august commands of heaven and Earth, he has bound to your hand the shepherd's crook that curbs the foreign lands, he has made you excel among the great Gods, and in addition has given you, to control them, the royal sceptre and the ritual ordinances of the Gods. Enlil has fixed as your destiny kingship over the totality of heaven and Earth(...)" Enuma Elish "May he (Marduk) establish the paths of the heavenly stars, And may he shepherd all the Gods like sheep." 7th tablet "He (Marduk) named the four quarters of the world, mankind he created(...)" 7th tablet "I sent Anu, but he could not withstand her; Nudimmud was afraid and turned back. But Marduk hath set out, the director of the Gods, your son; To set out against Tiamat his heart hath prompted him." 3rd tablet "O Marduk, thou art chiefest among the great Gods, Thy fate is unequaled, thy word is Anu!" 4th tablet "He (Marduk) made the stations for the great Gods; The stars, their images, as the stars of the Zodiac, he fixed. He ordained the year and into sections he divided it; For the twelve months he fixed three stars. After he had ... the days of the year ... images, He founded the station of Nibir (the planet Jupiter) to determine their bounds(...)" 5th tablet In the 4th tablet of the Enuma Elish, it is established a connection between Marduk and Orion, when the God is described preparing himself for the battle against Tiamat, the sea serpent: "He (Marduk) fashioned a bow, designated it as his weapon, Feathered the arrow, set it in the string. He lifted up a club and carried it in his right hand, Slung the bow and quiver at his side, Put lightning in front of him(...)" A similar link to Orion can be found in the Epic of Gilgamesh, when the warrior gets ready for his journey and posterior battle against the "bull of heaven": "Gilgamesh took the axe, he slung the quiver from his shoulder, and the bow of Anshan, and buckled the sword to his belt; and so they were armed and ready for the journey.(...)"
The two metaphorical "opponents" refer to the constellations of Cetus (Tiamat) and Taurus ("bull of heaven"). Cetus corresponded with the greek "kee-tos", which was a generic term for a very large sea creature. When you look at the etymology and structure of the words forming the proper noun "Tiamat", by the time of semitic domination in the Near East, it meant nothing else but "serpent [of the] sea". Ta/ Tan translates to "serpent" or snake, while yam translates to "sea or ocean". The vocalization in semitic grammar alters the Ta to Ti, so we have the Tiyam meaning "serpent [of] sea". As for the at suffix, all semitic tongues end a feminine with an ending at/it/owt. "Tiyamat" was then a female serpent of the sea. These imaginary cosmic battles served to praise the glory, bravery and power of Orion by taking advantage of the figurative position of the "warrior" with regard to the two constellations immediately in front of his "weapons". . . . The neo-assyrian cylinder seal in the collection of the British Museum (#89589). Marduk is depicted holding a "lightning bow" (or thunderbolt) with his front arm, parallel to his body, and a club with the right arm bent upward, chasing after Tiamat, the sea serpent. His representation is based on the description contained in the Enuma Elish, mentioned above, linked to Orion. - Click on the images to enlarge - In the acrostic "Ashurbanipal's Hymn to Marduk" (the original is in the British Museum, Ashurbanipal the assyrian king from 669–631/627 BC), it is said that Marduk crushed the skull of a monster called Anzu (also called Zu). In sumerian and akkadian mythology, Anzu is a divine storm-bird that stole the "Tablet of Destiny" from Enlil and hid it on a mountaintop. Anu ordered the other Gods to retrieve the tablets, even though they all feared the demon. According to the text, it was Marduk, called "smiter of the skull of Anzu", that killed the demon bird. The devolution of the Tablet to the place it belongs reafirms cosmic stability. This metaphorical confrontation was represented in two magnificent panels (forming a pair, positioned at each side of an entrance) depicting two singular figures, one is that of Anzu (kind of a lion-griffin), and behind it, the representation of Marduk holding two "lightning bows", chasing after the monster. This bas-relief, from Nimrud, and related to the assyrian king Ashurnasirpal II (assyrian king 884-859 BC), was masterfully reproduced in "A Second Series of the Monuments of Nineveh", by A.H. Layard and team. The panels are also in the collection of the British Museum (#124571 and 124572). - Click on the images to enlarge - The scenes represented in the neo-assyrian cylinder, and the bas-relief from Nimrud, correspond respectively to the myths of Marduk fighting against Tiamat, the primordial sea serpent, and Anzu, the demon bird. Also, the depictions of Marduk chasing after the two monsters, with the front arm holding the "lightning bow", parallel to his body, and the back arm bent upward and holding another weapon, ready to attack, beside the disposition of his legs, partially open, are based on the figurative disposition of the constellation of Orion, as seen from Earth. The bas-relief depiction of Marduk features two similar "lightning" weapons, but note the way they are handled - the left arm (check the front hand) holds it as a bow, in front of and parallel to the body, while the right arm is bent upward, so the weapon is kept like a club or a mace just before a strike. The Myth of Anzu, and the part of the Enuma Elish focusing the defeat of Tiamat, share a basic scenario in which a few Gods are invited to battle a ferocious monster, but decline, followed by another God who promptly accepts it. Indeed, the connection between the two stories goes beyond it, as they share one single hero, Marduk, when you consider the hymn of Ashurbanipal, that is focused on the assyrian version of the story, and in which the panels from Nimrud, shown above, are based. In the hymn, it's also said that Marduk "vanquished broad Tiamat". Thereby, what stands out is the metaphorical language of the two plots, the same figurative concept of the monster that must be defeated, but being so terrible that even Gods refuse to fight against it, when Marduk, the savior, emerges and defeats the creature. . . . The magnificent pair of lapis lazuli cylinder seals, date to the early neo-babylonian period, and found together between the Esagila and Etemenanki. They are in the collection of the Vorderasiatisches Museum, in Berlin (VA Bab 646 and 647). In the first seal, Marduk is depicted resting on his "pet dragon", the defeated Tiamat, now the God's sacred animal - the mušḫuššu. The other seal depicts God Adad resting on his "pet lion-griffin", representing a subdued Anzu. The original text reads “The seal of the God Adad”. Then, two bracketing lines were added to the original text - “Property of the God Marduk" and "of Esagila”, so that the full inscription is: “Property of the God Marduk. The seal of the God Adad of Esagila” Although the object was the personal seal of Adad, its function was in the polytheistic cult of Marduk, the supreme God of Babylon, where Adad was also represented (note the image of the ziggurat). The seal was probably taken as booty and returned by Esarhaddon (king of Assyria 681 – 669 BC), who added these lines: "To the God Marduk, great Lord, his lord, Esarhaddon, king of Assyria, has given (this seal) for his life" Both depictions are decorated with three star-discs, one below the other - the best known representation of Orion nowadays, the three stars of the belt. In Adad's seal, the stars of Orion's belt were marked using the stylizations of the stars' light (Alnitak has 6 "rays of light", Alnilam's 8 while Mintaka's 4), according to their radius and/or brightness relatively to the belt's set. Alnitak is ~10,000 brighter than our Sun (visible spectrum), with ~20 solar radius (R☉) for the primary star, while Alnilam is ~18,000 brighter with ~24 R☉ and Mintaka is ~7,000 brighter with ~15.8 R☉. In Marduk's cylinder seal, the stars of Orion's belt were represented using some of their unique characteristics. Alnitak is the triad of horses, a reference that preceded the celtic Goddess Epona, who was a protector of horses, of which one of the symbols was the same triad - the depiction is linked to the Horsehead nebula (B33), a dark nebula located just to the south of this star. Note that the seal's representation of the horse is similar to Ishtar Gate's unicorn, the stylization of a horse with a horn projecting from its forehead (and not an auroch). Alnilam's reference is the molecular cloud NGC1990, a faint reflection nebula of almost circular shape which surrounds this star and is illuminated by it, highlighting stars to form a "semi-arc" around the blue supergiant. Mintaka is a multiple star system, consisting of four different stars, with a magnitude 7 star about 52 arcseconds away from the main component and an even fainter star in between, while the main component itself is also double. Additionally, there is a cluster of young stars surrounding it. These characteristics were the origins of the arabic names النظام an-niżām, related to the word نظم nażm, "string of pearls", of Alnilam, and منطقة manṭaqa, "the girdle", of Mintaka. Evidently, the source of the knowledge that allowed all these celestial representations was extraterrestrial, similarly to the solar system's depiction in the cylinder seal VA/243 (please check in part 10- "The Bottom Line"). . . . Marduk, as said, was the principal deity of Babylon, regarded as king of the Gods. The adoration to Marduk was in fact the adoration to Orion. In ancient mesopotamian art, his symbol wasn't a "marru", or spade, nor any emblem of agriculture or that could symbolize the act of digging. It was sometimes depicted on top of a staff, being praised, and other times it's on an altar, usually being protected by the mušḫuššu. Marduk's symbol was based on the same geometric figure that later represented the bottom half of Orion in the mayan Oxib X'kub' and the All-Seeing Eye of God - a triangle. - Click on the image to enlarge - . . . A form of visual differentiation found in many of the pre-Ubaid and Ubaid sites (prehistoric period of Mesopotamia) is head shaping, denoting the intentional modification of the human head form in infancy. The typical elongated skull of extraterrestrial humans (H2), representing extra cranial capacity, was the inspiration. As we exposed in part 6- "The Triple Connection: Middle East, Atacama and Moon", this characteristic of H2s was "diluted" along time on Earth due to the increasing terrestrial human DNA presence in their bloodlines. Simultaneously, homo sapiens (H1) tried to emulate this H2 characteristic, changing the shape of the skull and marking individual identity as much as it indicated social status. Elongated skulls that represent a compatible increase of the cranial capacity belong to the original characteristic of H2s, while elongated skulls without any increase of cranial capacity are related to H1's artificial emulations, and hybrids H1 x H2, such as the ones that formed the egyptian royalty (focused in addendum A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)"), may feature intermediary results. In the thirteen sites cited below, from the at least eighty two remains recovered that could be analyzed, over sixty percent were affected by different types of head shaping. So, the proximity of these ancient civilizations with H2s in varying degrees over millennia resulted, in a way or the other, in the elongated skull's occurrences on Earth. This same proximity was the source for the egyptian and mesopotamian mythologies - the construction of myths was the manner in which these civilizations could metaphorically not only explain nature, but express about the extraterrestrial events linked to the polytheistic practice, using the H1 understanding of that time. Naturally, what matters isn't the "name" of any God, but what He expressed to these cultures. Osiris, Marduk, and several other Gods with different denominations, represented the one and only origin of our creators, Orion, which began to be called uniformly after the greek mythology. . . . . Nibiru (Ne.Be.Ru.), "The Planet of the Crossing" A generic term found in sumerian tablets relative to a "crossing" point or position, that did not correspond to the origin of our creators according to the ancient registers, whether sumerian or from any posterior culture, whose mythology invariably pointed to Orion. In this matter, "Nibiru", at the most, could have been used to name a celestial body with an elongated orbit that crossed the ecliptic.
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| Subject: Re: Nibiruans, divinity and the truth Sat Aug 08, 2015 12:31 pm | |
| C- "Kingdom in Heaven" x Interstellar Monarchy Monolatrism, the recognition of the existence of many Gods, but with the consistent worship of only one deity, was a stage in the development of monotheism from polytheism. Two of the best examples of this are the rise of Marduk from the tutelary of Babylon to the claim of universal supremacy, and the Aten cult in the reign of the egyptian pharaoh Akhenaten. The historic sequence polytheism - monolatrism - monotheism is linked to the gradual decrease of humankind's interaction with extraterrestrial humans, an event that possibly begun with the end of the extraterrestrial operation of the Giza set, focused by us in addendum A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)". As we demonstrated in addendum B- "Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System", the adoration to God Marduk was the adoration to Orion. The constellation was called by the babylonians “ sipa.zi.an.na” - “the shepherd of heaven”, or "the true shepherd of heaven". In the 7th tablet of the Enuma Elish, the babyonian creation myth, there is a citation of Marduk roundly connected to the babylonian term for Orion: "May he (Marduk) establish the paths of the heavenly stars, And may he shepherd all the Gods like sheep." Also in addendum B, we evidenced that the stars of Orion ( Sah) are syncretized with Osiris. There are several passages in the pyramid texts that support this statement: "The sky has borne you with Sah, the year has put a fillet on you with Osiris"
"Osiris has come as Sah, Lord of wine in the Wag festival"
"O King, you are this great star, the companion of Sah, who traverses the sky with Sah, who navigates the Duat with Osiris” One of Osiris divine titles was of "the good shepherd". The crook ( heka), an important albeit primitive device used by shepherds, and flail ( nekhakha) are emblems of this egyptian God. They became insignia of pharaonic authority. . . . The sculptured Dendera zodiac, an egyptian bas-relief from a chapel dedicated to Osiris in the Temple of Hathor, part of the collection of the Musée du Louvre (#D 38). Its representation of the zodiac in circular form is unique in ancient egyptian art. Horus, perched on a wadj, was depicted precisely along the axis of the temple itself (it references to Orion Nebula, for more details please check in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42)". Orion is represented by Osiris, holding a staff in front of him with his left arm and a flail with his right arm. This depiction is surrounded by the representations of the constellations of Gemini and Taurus, and also Sirius (as Sothis, in her form of a sacred cow). In the rectangular zodiac which decorate the same temple's pronaos, Sirius was depicted once more next to the representation of Orion, followed by Gemini and Taurus. Osiris is on a "solar boat" ready for his journey and again holds a staff with his left arm. The sumerian God Enlil was described as "the shepherd who decides all destinies", in the "Enlil and Ninlil: The Begetting of Nanna" myth: "The Great Mountain, Father Enlil - his eye is bright, he will look at you! The shepherd who decides all destinies - his eye is bright, he will look at you!" In the 23rd Psalm of the bible, the Lord is the shepherd, whose rod and staff bring comfort: "The Lord is my shepherd; I shall not want. He makes me lie down in green pastures. He leads me beside still waters. He restores my soul. He leads me in paths of righteousness for his name's sake. Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me.(...)" In John 10, Jesus states that he is the good shepherd: "I am the good shepherd. The good shepherd lays down his life for the sheep. The hired hand is not the shepherd and does not own the sheep. So when he sees the wolf coming, he abandons the sheep and runs away. Then the wolf attacks the flock and scatters it. The man runs away because he is a hired hand and cares nothing for the sheep. I am the good shepherd; I know my sheep and my sheep know me — just as the Father knows me and I know the Father — and I lay down my life for the sheep.(...)" So, several major Gods over millennia, from different mythologies, were called "shepherds". And in the bible, not only the Lord is the "shepherd" - his son Jesus, that represented our origins on Earth and taught about love and forgiveness, says that he is "the good shepherd". Egyptians worshipped Osiris, unequivocally representing Orion, that was a God of resurrection also called "the good shepherd", usually depicted holding a crook (a herding tool) in one of his hands and a flail (a rod attached with three beaded strands) in the other. It is plain that we should not accept literally all that was meant mystically. The point here is not to try to relativize any of the mythological Gods neither between them nor with Jesus, that existed historically - they all had a very important role in the story of human evolution during the last millennia. What is crucial is to understand that they share one same origin. The God of the bible is a monotheistic version of not only Osiris, but various major deities. The God of all humans, as the reference for origin and rebirth, has always been Orion - no surprises here, since we are dealing with the origins of humankind, and not merely the origins of "the-last-two-thousand-years-humankind". Orion's primordial representation, the original extraterrestrial portrait, wasn't of a warrior or hunter. As demonstrated in addendum B, and also above, it can be traced back to babylonian, egyptian and sumerian mythologies. Holding "your rod and your staff", Orion is the shepherd. The rod and staff establish a clear connection with the crook and flail of Osiris. These two tools paint a picture of a strong shepherd, based on the figurative disposition of the constellation of Orion as seen from Earth, who not only cares for us but will protect us. . . . The crucifixion of Jesus occurred most probably between the years 30 and 33 AD. According to the accounts in the new testament, Jesus was arrested and sentenced by Pontius Pilate to be scourged and finally crucified. Jesus' crucifixion is described in the four canonical gospels, referred to in the new testament epistles, attested to by other ancient sources, and is established as a historical event. The cross was made of an upright post called stipes, a heavy beam inserted into the ground, and a horizontal bar called patibulum, which the prisoner carried to the place of execution. If the patibulum was attached two to three feet below the top of the stipes, then the cross was called the “low tau” as compared to the “high tau”, where the patibulum was attached to the top of the stipes. Evidences from history and archaeology indicates that the low tau cross was preferred by the romans in Palestine at the time of Christ. The titulus, a sign on which the condemned's name and crime were displayed, was attached above Jesus' head. A wonderful geoglyphs set on the Moon, spreading for ~170km over the lunar surface.... Note that the depictions, some of them focused by us in part 2- "Earth, Moon and Mars Connections" and part 6- "The Triple Connection: Middle East, Atacama and Moon", were symmetrically arranged over vertical rows. From left to right and bottom to top, considering the representations that can be more easily checked, the set presents: Row 1 - A five pointed star with a tail. Row 2 - A human face with a crown above it. Row 3 - A humanoid figure with one leg and one arm extended, climbing a stairway; a standing humanoid figure, with horns, and open arms; another human face, now bearded. Row 4 - An idiosyncratic proto-writing mark used to track quantities of something; the crucified man. - Click on the image to enlarge - The geoglyph on the Moon depicting the crucified man. Note that the patibulum is attached below the top of the stipes, meaning that it represents a low tau cross. The arms are outstretched along the patibulum to the extremities of the crossbar. - Click on the image to enlarge - . . . Two magnificent artifacts that are key points in this topic, and were focused by us in part 10- "The Bottom Line". The Sumerian King List, listing kings from sumerian and neighboring dynasties, their reign lengths, and the locations of kingship. Royalty at that time was handed down initially by Orionians and later by extraterrestrial humans. And the sumerian cylinder seal "VA/243", in the collection of the Vorderasiatisches Museum in Berlin. It depicts an extraterrestrial human (H2), featuring the typical elongated skull, as a supreme ruler, sitting on a throne and holding a staff, being reverenced by the two standing terrestrial humans (the central figure possibly representing a monarch), holding hand in hand, and in sumero-akkadian signs the expression "Your Servant". It also presents the depiction of a spaceship, with an aerodynamic shape, featuring the landing gear and a parabolic structure over it, directed to the solar system, consisting of the Sun and planets orbiting it. Both representations clearly denote dominion by the H2 king. The creation of homo sapien, by the genetic manipulation of the ape-man, had the colonization of our solar system as motivation. The monarchy adopted by Orionians, the creators of humans, since ages ago, presents H2s as monarchs locally. . . . . "Our Father in heaven, hallowed be your name. Your kingdom come, your will be done, on Earth, as it is in heaven."
Earth is located inside an interstellar Kingdom that raises from the bottom half of Orion, origin of our creators.
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| Subject: Re: Nibiruans, divinity and the truth Mon Aug 24, 2015 7:36 am | |
| D- One Last Lunar Reflection There are very few sites on Earth where you can go straight beyond the ancient human cultures and reach the core of the extraterrestrial activity in this planet. From these, the Giza Plateau and the Puma Punku / Tiahuanaco complex are two of the most impressive concerning their link to our origins, Orion. Puma Punku had a huge structure (~170m x 120m) of unknown functionality, while Tiahuanaco was a major ceremonial center built by humans devoted to the Puma Punku's "divine" events. Tiahuanaco was then a monumental symbol that gave unity to the people, connecting with the sacred and the transcendent sense of the civilization of that time. The primordial establishment of Tiahuanaco as a ceremonial center possibly preceded the first egyptian dynasties in millennia. The historical records are much more restricted when compared with the egyptians. Tiahuanaco, in its classical period, was a multicultural and multilingual center, but there are almost no written records. It is interesting to observe that what could be found until now, the Fuente Magna and the Pokotia Monolith present inscriptions in proto-sumerian signs. Any analysis of sites like Giza and Puma Punku / Tiahuanaco will fail inevitably if not considering the extraterrestrial component, since it would have to interpret erroneously the identifiable elements accepted by our "modern scientific paradigm". It is uncertain what type of extraterrestrial construction there was once at Puma Punku. Only some parts were left in the area, much likely used in its support base and small adjacent installations. These existing remnants only shyly suggest the greatness of this structure, which was possibly removed millennia ago. . . . The so-called "Gate of the Sun", constructed from a single piece of stone at Tiahuanaco. It is a finished structure not designed to be a physical entrance to a temple or another construction - the gate symbolizes a portal to our origins. Just like Tiahuanaco's essence, it was devoted to Orion. The Staff God, depicted holding a pair of sticks or staffs parallel to the body, takes a central role in the gate and represents the constellation of Orion. This God was the supreme deity of the Andes, who, in the local ancient view, was responsible for the creation of the world. The two staffs, or the sitck and staff, are linked to the figurative disposition of the constellation as much as Enlil's crook and staff, Osiris' crook and flail, and biblical rod and staff. There are several pre-inca versions of the Staff God, like the huari. The deity is represented frontally holding a staff at each side of the body, differently from the egyptian depiction of Orion "as Osiris", with the crook and flail usually held in both hands crossed on the chest. The gate is covered in 48 engravings of winged effigies surrounding the central figure of the Staff God. There are 32 effigies with human faces, representing Orion, and 16 with falcon's heads, referencing to M42, the Orion Nebula (for more details please check in part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42"). The effigy representing the constellation holds a staff parallel to the body with his front arm, the legs are partially open, like if the figure is moving, and the back arm is bent upward. Orion depicted as the babylonian supreme God Marduk, egyptian Osiris and andean Staff God, following one same figurative pattern (for more details please check in addendums B- "Nibiru, "The Planet of the Crossing" x HEO Planet from a Side View of the Solar System" and C- ""Kingdom in Heaven" x Interstellar Monarchy"). The effigy referencing to M42 keeps almost the same figurative disposal of Orion's except for the falcon's head facing upwards, following Orion Nebula's relative disposition regarding the constellation itself, as it would be seen from Earth. . . . The sunken temple, also know as the templete, is the most astonishing structure in Tiahuanaco. The semi-subterranean temple measures ~26m x 28m in area and its walls are decorated with 175 different sculptures of human heads. In its centre there are three menhir-like monoliths that were clearly the object of worship. The heads look to the monoliths in the centre, as if they are in adoration of them. The primordial major deity in andean cultures, as mentioned above, was the Staff God. The deity is possibly the oldest representation of Orion as God. His depiction at Tiahuanaco, in the "Gate of the Sun", reports to the first period of the ceremonial center, and precedes by millennia any other of his representations, in a time when the extraterrestrial operation of Puma Punku was possibly still active. After the "Gate of the Sun", the Staff God emerges in the chavin culture of northern Peru and re-appears in Tiahuanaco again as the bearded man, as well as in the Atacama desert. The monolith representing the bearded man in the sunken temple refers to God Viracocha. It was added after the construction of the temple itself, possibly replacing a monolith dedicated to the original representation of the Staff God. Viracocha, the great creator deity in the pre-inca and inca mythologies in the Andes region, is another version of the primordial andean God, and also represents our origins as Orion. He had many titles such as "Old Man of the Sky" and "Lord Instructor of the World". Other Gods were worshipped, but Viracocha emerged out of the polytheistic flux of ancient Peru as the supreme deity, similarly to the monolatrism of Marduk in Babylon. In ancient inca poetry, there are several citations for Viracocha's supremacy. "Oh creator, root of all, Viracocha, end of all, Lord in shining garments, who infuses life and sets all things in order, saying, "Let there be man! Let there be woman!" Molder, maker, to all things you have given life: watch over them, keep them living prosperously, fortunately in safety and peace." "Oh Lord, fortunate, happy, victorious Viracocha, merciful and compassionate toward the people: Before you stand your servants and the poor to whom you have given life and put in their places: Let them be happy and blessed with their children and descendants; let them not fall into veiled dangers along the lonely road; let them live many years without weakening or loss, let them eat, let them drink." "Lord Viracocha, who says, "Let there be day, let there be night!", Who says, "Let there be dawn, let it grow light!", Who makes the Sun, your son, move happy and blessed each day, so that man whom you have made has light(...)" The Sacred Hymns of Pachacutec In ancient Babylon there were very few anthropomorphic representations of Marduk, invariably as a bearded man, and his triangular symbol, object of worship, represented the bottom half of Orion (for more details please check in addendum B). It is no coincidence that the same symbolism can be seen at the centre of the sunken temple, to where the set of different human heads converge. That's what the sunken temple's representation is about: all humans having one same origin, Orion... . . . In "Artificial Cranial Deformation at Omo M10 Site: A Tiawanaku Complex From the Moquegua Valley, Peru", published in "Latina America Antiquity" (1995, vol. 6 number 2), by the Society for American Archeology, from the 33 skeletal remains used in the study, related to the M10 and M11 cemetery complexes of the Omo site group, corresponding to the Tiahuanaco occupation of the Moquegua Valley, 32 were deformed. All of these showed the effects of pressure mediated through either a singular rectangular pad or two pads placed bilaterally over the frontal bone, and post-coronal constriction, while 23 of the 32 showed evidence of a depressed posterior aspect of the sagittal suture. The Tiahuanaco people deformed the heads during infancy using bandages and thin sheets of wood, marking individual identity as much as it indicated social status. As mentioned in part 6- "The Triple Connection: Middle East, Atacama and Moon", elongated human skulls have been found not only near Tiahuanaco, extending to related cultures as the wancarani, but also to the south, in the region of San Pedro de Atacama, and to the west, at Paracas (2). The proximity of these ancient civilizations with extraterrestrial humans in varying degrees over millennia resulted in the elongated skull's occurrences. The same phenomenon happened in many other regions on Earth, like in ancient Egypt and Mesopotamia (for more details please check in addendums A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)" and B). (2) Credits to Marcia K. Moore for the 3D renders.. . . The Nazca lines, a magnificent series of ancient geoglyphs located in southern Peru. They are primordially linked to the Puma Punku / Tiahuanaco complex while sharing the same extraterrestrial origin. The so-called "astronaut" in Nazca - in fact only a minor part of a much more impressive geoglyph. The childish character is preceded by another figure waving. - Click on the images to enlarge - The depiction of the bearded shepherd, holding a crook with his left arm, protects the smaller and faceless humanoid being, enclosing him. A similar symbolism can be found at the egyptian Temple of Edfu - the representation of Horus, referencing to Orion Nebula (for more details please check in part 9), encloses the standing human being. . . . As we demonstrated in addendum C, several major Gods over millennia, from different mythologies, were called "shepherds". This representation originates from Orion's primordial extraterrestrial portrait, based on the figurative disposition of the constellation as seen from Earth. In the sacred hymns of Pachacutec (1438–1471/1472), the sapa inca of the kingdom of Cusco, which he transformed into the inca empire, it is said that Viracocha, the great creator deity in both pre-inca and inca mythologies, has "shepherded" his servants. "My Viracocha, shine on your inca people, illuminate your servants, whom you have shepherded, let them live happy and blessed, preserve them in peace(...)" In the 7th tablet of the Enuma Elish, the babylonian creation myth, Marduk is the one who "may shepherd all the Gods like sheep". And in "A Hymn to Marduk for Abi-Eshuh (Abi-Eshuh A)", An (Anu) "has bound to Marduk's hand the shepherd's crook", while Enlil "has fixed as Marduk's destiny kingship over the totality of heaven and Earth". "May he (Marduk) establish the paths of the heavenly stars, And may he shepherd all the Gods like sheep." "He (An) has given you the supervision of great august commands of heaven and Earth, he has bound to your hand the shepherd's crook that curbs the foreign lands(...) Enlil has fixed as your destiny kingship over the totality of heaven and Earth and has relieved you of any rivals(...)." There are several citations in the ancient mesopotamian literature describing An and Enlil as shepherds. Additionally, the staff and the crook are referred as divine tools. "You are the light of the good shepherd Enlil, and you have been given a majestic name by Ninlil." A Shir-Gida to Nuska (Nuska B) "Enlil rejoices in your speech. Ninlil declares 'so be it' to your desires. Shepherd Enlil is your support." A Praise Poem of Iddin-Dagan (Iddin-Dagan B) "I am the lady, the youthful woman, the great strength of Enlil! I am the beautiful woman Nininsina, daughter of holy An! My father An the king, shepherd of the gods, sat me in the Land on a holy dais." A Shir-Gida to Nininsina (Nininsina A) "Enki answered his daughter, holy Inana : ‘How have I disparaged you? Goddess, how have I disparaged you?(...) I settled on you the staff and the crook, with the shepherd's stick beside them.’" Enki and the World Order "You have brought with you the noble sceptre, you have brought with you the staff and crook, you have brought with you the noble dress, you have brought with you shepherdship, you have brought with you kingship." Inana and Enki "Enlil gave him a good name: 'A lion's seed, who provides the E-kur generously, the beloved one of Ninlil; the one granted authority in the E-kur; the king of Urim, the one with shining heart, the shepherd, the protective genius of the Land.'(...)As the shepherd of all the countries, Enlil leant the crook and the staff against his arm, and placed the immutable sceptre of Nanna in his hand; he made him raise his head high, sitting on an unshakeable royal seat." An Adab to Enlil for Šulgi (Šulgi G) And in the bible, the Lord is the shepherd, whose rod and staff bring comfort. His throne is established "in the heavens". "He blessed Joseph, and said, ‘The God before whom my fathers Abraham and Isaac walked, the God who has been my shepherd all my life to this day.’" Genesis 48:15 "‘As for you, My sheep, the sheep of My pasture, you are men, and I am your God’, declares the Lord God." Ezekiel 34:31 "For you were continually straying like sheep, but now you have returned to the Shepherd and Guardian of your souls." 1 Peter 2:25 "The Lord is my shepherd; I shall not want. He makes me lie down in green pastures. He leads me beside still waters. He restores my soul. He leads me in paths of righteousness for his name's sake. Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me.(...)" The 23rd Psalm "The Lord has established His throne in the heavens, and His sovereignty rules over all." The 103rd Psalm (19) "Immediately I was in the Spirit; and behold, a throne was standing in heaven, and One sitting on the throne." Revelation 4:2 In most cultures "the right hand" means strength and skill. The word dexterity comes from the latin word dexter, meaning "on the right side". The right hand symbolizes the place of righteousness and exaltation, and the meaning for "the left hand" can be the opposite, the place of curse and judgment. There are several examples of the use of these metaphors in the bible. "At thy right hand there are pleasures for evermore" The 16th Psalm (11) "Thy right hand is full of righteousness" The 48th Psalm (10) "A wise man's heart is at his right hand; but a fool's heart at his left" Ecclesiastes 10:2 "Then the King will say to those on his right, ‘Come, you who are blessed by my Father; take your inheritance, the kingdom prepared for you since the creation of the world.’" Matthew 25:34 "Then he will say to those on his left, ‘Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels.’" Matthew 25:41 New testament passages make clear that Jesus sat down at the right hand of the throne of God in heaven, in the sense of having honor, glory and divine power. It is plain then that the right hand is symbolic of authority and blessing. "So then after the Lord had spoken unto them, he was received up into heaven, and sat on the right hand of God." Mark 16:19 "Now the main point of what we are saying is this: we do have such a high priest, who sat down at the right hand of the throne of the Majesty in heaven(...)" Hebrews 8:1 "(...)Christ Jesus who died — more than that, who was raised to life — is at the right hand of God and is also interceding for us." Romans 8:34 Reiner Gamma's area, once more the phenomenal statue (~15Km height) depicting the Orionian King. The enormous structure where this statue is located is inlaid perpendicularly into the Moon, what means that the statue faces the space, not Moon's surface. - Click on the images to enlarge - The King is sitting at the right side from the throne's standpoint, and the left side to the viewer. Note that the King's depiction occupies only half of the throne, consequently the right part of it, from the viewpoint of a spectator, is empty. The symbolism speaks for itself and the passages of the bible mentioned above reference to it. . . . . "In their hearts humans plan their course, but the Lord establishes their steps." "Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me." Human self-determination, that is irreversibly tied to our cosmic evolution as species, shall be fully exercised as the way you mold your existence considering the good of the other human beings.
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| Subject: Re: Nibiruans, divinity and the truth Tue Oct 27, 2015 2:46 am | |
| E- The Final Journey E.1- The Lunar Path to the Afterlife In the pyramid texts, the collection of ancient egyptian religious texts from the time of the old kingdom and focused on the pharaoh, the image of ascension dominates. The king is able to resurrect as Osiris and ascent to the sky. The coffin texts, which basically superseded the pyramid texts as magical funerary spells at the end of the old kingdom, are principally a middle kingdom phenomenon. In effect, they democratized the afterlife, eliminating the royal exclusivity of the pyramid texts. Some coffins from the middle egyptian necropolis of Deir el-Bersha contain graphical representations of the realm of the afterlife, along with spells related to the journey of the deceased through the Duat. This collection, called "The Book of Two Ways", was the first example of an ancient egyptian map of the realm of the dead. This book is a precursor to the new kingdom books of the Duat as well as "The Book of the Dead", in which descriptions of the routes through the afterlife are a persistent theme. In addition to the Sun-God Ra (Re) and Osiris, "The Book of Two Ways" also prominently involves Thoth and Horus. The book received its name because of the two zigzag paths that form a kind of map for the use of the deceased. In fact, the egyptian coffin, like the various objects included within the burial, the reliefs on the tomb walls and the tomb itself, acted like a surreal structure to transport the deceased at the moment of internment from this world to the afterlife. The journey is made through the sky, taking the departed on a journey to the kingdom of Osiris on a route with Ra, first from east to west along a waterway through the inner sky and then back again from west to east by land through the outer sky. Between them was a lake of flames, where the ambivalent fire could consume the damned, but could also serve the purpose of regeneration to those blessed followers of Ra. The primordial representation of the lotus flower, linked to Osiris and the "sons of Horus", references to an extraterrestrial "marsh". Ancient egyptians differentiated the initial and wider part of the "bright duct" of Reiner Gamma of the upper middle part, which spreads tortuously by the lunar surface, calling the first one "marsh of reeds" and the other one "watercourse". Though not as emphatically, this differentiation can be also observed in the biblical text of Revelation 4:6, when mentioning the "sea of glass", located "in front of the throne", and in Revelation 22:1 the "river of water of life, as clear as crystal, flowing from the throne of the God and of the Lamb" (please check below in parts E.2 and E.3). According to the egyptian mythology, Osiris's throne is located over a "stream of water". The depiction of the "sons of Horus" on the lotus flower symbolizes the wider part of the duct of Reiner Gamma, and it draws a clear parallel with the "four living creatures" of the bible, in Revelation 4:6-8, located "in the center, around the throne" of God. The four "sons of Horus" are humanoid representations with the heads of a baboon, a jackal, a falcon and a man, while in the bible they are described "like" an ox, a lion, a flying eagle and a man, each of them evidently in the way that could make more sense considering the terrestrial reality experienced by each civilization. It is plain that the connection of the initial part of Reiner Gamma with a "marsh of reeds" comes from the Nile Delta, as seen from a low Earth orbit like in the image below, where in ancient times the cyperus papyrus or "paper reed" was widely cultivated. In the bible we can find references that link the lotus plant with the reeds in a marsh and the reeds with the Nile. "Under the lotus plants it lies, hidden among the reeds in the marsh." Job 40:21 "But when she could hide him no longer, she got a papyrus basket for him and coated it with tar and pitch. Then she placed the child in it and put it among the reeds along the bank of the Nile." Exodus 2:3 There are citations in books dedicated to the egyptian mythology about the location of Osiris's throne over the waters of the net-asar, or "stream of Osiris", which corresponds in fact to the wider part of the bright duct of Reiner Gamma. "The THIRD SECTION of the Tuat is called "Netnebuakheperaut," and is a continuation of the Kingdom of Osiris; in it is the House of the Tet, wherein Osiris himself dwells. The Boat of Af Ra is escorted over the waters of the river Net-Asar by a number of boats which are specially created by Osiris, and arrives at the head of the stream on which the throne of Osiris is placed." The Papyrus of Ani, E.A. Wallis Budge, p. 143-144 "The abode of Osiris is situated on the NET-ASAR, i.e., the "Stream of Osiris," a name given to the river of the Tuat in the THIRD SECTION, and it is at the head of this river that the throne of Osiris rests according to some copies of the Theban Recension of the Book of the Dead." The Egyptian Heaven and Hell, E.A. Wallis Budge, p. 122 We can establish a parallel between the egyptian mythology, the bible and the lunar path to the afterlife, concerning the judgment of the dead by God. Generally speaking, in the egyptian mythology and biblical texts the good, or righteous ones, will be rewarded with eternal life. The ancient egyptians believed that when they die they would be judged on their behavior during their lifetime before granting a place in the afterlife. This judgment was performed during a ceremony called "Weighing of the Heart". The ceremony was believed to take place before the throne of Osiris. Note in the images below (the two first ones from the papyrus of Ani and the third one from the papyrus of Hunefer, all in the collection of the British Museum #EA10470,3 / EA10470,4 and EA9901,3) that the throne is depicted over a "marsh", symbolized by the lotus flower with the four "sons of Horus" on it, and that the proceedings were recorded by Thoth. In ancient egyptian religious texts, Thoth is the Moon God par excellence. He appears as the Moon itself and, at the same time, as the protector of the Moon. In the light of frequent comments about the deity in the pyramid texts, it can be assumed that Thoth was an important deity in the old kingdom. During the same period, Thoth was incorporated into the solar theology along with Osiris. As result, he was often placed in juxtaposition to Ra. The symbolic ritual was the weighing of the heart of the deceased on a pair of scales. It was weighed against the principle of truth and justice, known as maat. If the heart balanced against the feather then the deceased would be granted a place in the fields of Hetep and Iaru. If it was heavy with the weight of wrongdoings, the balance would sink and the heart would be grabbed and devoured by a beast who sat ready and waiting by the scales. The ancient egyptians considered the heart to be the center of the thought, memory and emotion and it was associated with the intellect and personality. This figurative disposition of the judgment of the dead before the throne of God finds its parallel in the bible in Matthew 25:31-46, "The Sheep and the Goats", and is also connected to the lunar representation, as we demonstrate below in part E.3. It's in details that the description contained in the bible of Reiner Gamma's area, based on human understanding of two thousand years ago, goes beyond that found in the ancient egyptian texts, since it reaches thoroughly the physical symbolism that was added to the power pyramid's structure. This suggests that the author of the "Book of Revelation" was in fact an eyewitness of these lunar structures, as opposed to the egyptian royalty, most likely based on informations by extraterrestrial humans when creating their mythology (please check in addendum A- "Great Pyramid's" Capstone + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)"). We can cite as example the several references in the bible that Jesus sat at God's right hand, along the unequivocal expressions in Revelation 3:21 and 22:1 confirming that there is only one throne for the God and the Lamb, precisely what can be observed in the lunar representation of the King's throne (demonstrated in addendum D- "One Last Lunar Reflection"). Another interesting facet is related to the detailed portrayal of the four "creatures" located around the throne in Revelation 4:6-8. They are described as having wings, what can be confirmed by a meticulous analysis of the images from the area adjacent to the throne (please check below in part E.3). The location of the throne, in the early part of the duct of Reiner Gamma, clearly symbolizes the reception of the King's figure into that operational structure. While the egyptian mythology concentrates on the "watercourse" and the Eye of Horus (for more details check in parts 8- "Orion's Belt: The Egyptian Connection" and 9- "Oxib X'kub 'and Extraterrestrial Pyramids: Connection to Messier 42"), the biblical description focuses on the King's throne and the bright duct of Reiner Gamma, the "river of the water of life" or "living water". The author of the "Book of Revelation" was careful while excluding any mention to Orion or the Eye of Horus. One thing would be to describe the monotheistic biblical God or Jesus also as a "shepherd", and another completely different would be adding Orion, an eye or a falcon into the context, considering the desired detachment at that time of any of the egyptian polytheistic Gods. A fascinating aspect is related to the representation of Reiner Gamma according to the reality of each civilization - to the egyptian royalty, habitual navigators, the bright duct, making a parallel with the Nile, was divided into the "marsh of reeds" and the "watercourse", which could be navigated by the "solar boats", or "reed-floats of heaven", while in the biblical text it was essentially the "river of the water of life", satisfying the thirsty, "welling up to eternal life", consolidating in both cases extraordinary metaphors of the same energetic structure that is connected to the lunar power pyramid (for more details please check in addendum A). In this sense, it is important to note that the Orionian King is intertwined with the constellation of Orion both in biblical terms as to the egyptians. Osiris was Orion personified in the figure of the King, and the biblical God refers simultaneously to Orion as shepherd and the King himself. The Orionian King then represents Orion as God for ancient egyptians and in the bible. In part 7- "Pakal's Last Journey: The Mayan Connection", we focused on a set of geoglyphs on the Moon presenting the meeting between human mysticism, concerning the depiction of the stylized "spirits" that raise Pakal, and high technology, particularly represented by the zero gravity position of Pakal during his journey. Using the highest technology through interstellar portals, the lunar power pyramid, located at the end of Reiner Gamma's bright duct, connects an extract of our existence on Earth that corresponds to our mystic concept of "soul", to the bottom half of Orion, humans' final destiny. E.2- The Egyptian Emphasis: Watercourse and the Eye of Horus E.3- The Biblical Emphasis: King's Throne and the Water of Life
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| Subject: Re: Nibiruans, divinity and the truth Wed Jan 27, 2016 2:46 am | |
| F- Orion and Beyond: Reminiscences 01-Apr-2018 F.1- The Mountain of God As it has been demonstrated in addendum E- "The Final Journey", the wider part of Reiner Gamma represented the "marsh", or "field of reeds", of the netherworld for ancient egyptians. By transporting the deceased king's body across the "river", the priests intended to ensure that his soul safely had crossed the sea of reeds. The boat that carried the body corresponded to that of the divine boatman whose services the deceased's soul must acquire when it reached that area. "(...)The booth of N. is an arbour among the reeds; the abundance of N. is in the Marsh of Offerings; his food is among you, ye gods; the water of N. consists of wine like that of Re, N. compasses the sky like Re; N. traverses the sky like Thoth." The Pyramid Texts, S.A.B. Mercer - Utterance 210 "(...)N. voyages, over the sky to the Marsh of Reeds; N. makes his abode in the Marsh of Offerings, among the imperishable stars in the following of Osiris." Utterance 419 In fact, Reiner Gamma represents the Nile river course during a phase of the Paleolithic, when Orionians firstly settled in that area of current Egypt. The river delta, the Fayum and the watercourse are reflections of their natural diposition in that period. It is interesting to observe not only how the river course has changed, but specially the disposition of the Fayum Oasis from ~300,000 years back, as it is shown on the Moon, to the present days. In addendum A- "Great Pyramid's "Capstone" + Eye of Horus + All-Seeing Eye of God (The Interstellar Portal Connection)", it's been mentioned that the egyptian mythology originated from the knowledge transmitted by extraterrestrial humans, the ancestors of the egyptian royalty. It was also described that the functionality of a power pyramid is based on a torsion field, concentrating an extremely powerful energy source that flows through a high technology pyramidion located on its apex. That addendum illustrates two interstellar portals, or "eyes"- one in the solar system, our Sun's portal, and the other at the bottom half of Orion, the M42's portal, connecting each to a power pyramid, making faster than light travel between them possible. The ancient egyptians visualized an universal mountain, split into two peaks- Manu and Bakhu. Usually Manu refers to the western mountains and Bakhu refers to the eastern mountains that "hold heaven up". Both mountains present an ideographic of three hills. The hieroglyphs of these mythical peaks may also feature the stylized eye over the hills and the three bowls referencing to Nu, the celestial waters. "Now the Mountain of Bakhau (i.e., the mountain of the sunrise), whereupon this heaven supports itself, is situated in the eastern part of heaven, and it bath dimensions of three hundred khet (i.e., 30,000 cubits) in length, and one hundred and fifty khet (i.e., 15,000 cubits) in breadth; Sebek, the lord of Bakhau, [dwelleth] to the east of the Mountain, and his temple is on the earth there." Papyrus of Nu, Sheet 8 (The Book of the Dead, E.A. Wallis Budge, p. 167/168) "(...)I am with the divine beings of Set at the Mountain of Bakhau, and I sit down along with the spiritual bodies who are perfect on the side of the Lake of Osiris to rejoice [my] heart." Papyrus of Nu, Sheet 19 (The Book of the Dead, E.A. Wallis Budge, p. 352) In the Book of Gates the first gate is at the setting of the Sun- a dead person’s soul journey to the mountain of Manu. The twin mountains in the east and west, from which the Sun rises and sets, were combined into one symbol for the horizon that signified the cycle of rebirth. The hieroglyphic sign for the horizon is verily a picture of the Sun from between the twin mountains. The entrance way of temples and tombs are patterned after this sign, referring to the entrance way to the underworld. Natacha Rambova in the book "Mythological Papyri" (p. 31) says: "Carved over the entrance of the tombs of later kings, this horizon sign with the disk becomes the royal insignia of divine birth. In the example over the portal of the tomb of Ramesses X the stylized 'mountains' support the sky and enclose the great disk with the scarab Khepri and the ram-headed solar deity."The two horizons of Harakhty, the solar system and the bottom half of Orion, are a direct reference to the twin mountains of Bakhu and Manu, which were guarded by the double lion God, Aker. "May the face of the king be opened so that he may see the Horus of two horizons (Harakhty) when he crosses the sky; may he cause the king to shine as a God, Lord of eternity and indestructible, (Harakhty replies that he has) given the beautiful horizon to the king...The soul of Amenemhet is higher than the heights of Orion, and it unites itself with the Duat(...)" Pyramidion of Amenemhet III Thoth, the Moon God, was often represented as a baboon from the first dynasty down to late times, and colossal statues of baboons flanked the entrance to his greatest temple at Hermopolis. The four baboons sacred in that temple were often portrayed as adoring the Sun. Hieroglyphs depicting the baboon and the ibis, the two most common avatars of Thoth, could write many phonetic and ideographic values associated with this God. Other depictions of baboons in the underworld are as helpers or subsidiaries of Thoth, and they were often shown wearing the crescent Moon on their head. Baboons carried out Thoth's duties as the God of measurement when they were portrayed on the scales which weighed the heart of the deceased in the judgement of the dead. The baboon connections to Thoth and the underworld are possibly relate to Babi, the deification of this animal and the first-born son of Osiris (image below of the Book of the Dead of Userhat, sheet 1- BM#EA10009,1). "Hail, ye four apes who sit in the bows of the boat of Ra, who convey right and truth to Neb-er-tcher, who sit in judgment on my misery and on my strength, who make the gods to rest contented by means of the flame of your mouths, who offer holy offerings to the gods and sepulchral meals to the khus, who live upon right and truth, and who feed upon right and truth of heart, who are without deceit and fraud, and to whom wickedness is an abomination, do ye away with my evil deeds, and put ye away my sin(...)." The Book of the Dead, E.A. Wallis Budge, Chapter CXXVI, p. 201
"The phallus of Babi is pulled out (lock of door), the doors of the sky are open. The doors of the sky are locked, (the way leads) over the fire glow, under that which assembles the gods."
"Unas is a jan-baboon, a hTt-baboon, a pATT-baboon. Unas' bottom is according to Unas' own wish(?), blessedness is on the head of Unas. Unas will make the jubilations (hnj) of those (i.e., as those) who jubilate. He will sit among you, youthful ones." Pyramid Texts, Utterance 313 / 315 Obelisks were prominent in the architecture of the ancient egyptians, who placed them in pairs at the entrance of temples. The word "obelisk" as used in english today is of greek rather than egyptian origin because Herodotus, the greek traveller, was one of the first classical writers to describe the objects. They were originally called tekhenu by the ancient egyptians, meaning "to pierce". A number of egyptian obelisks are known to have survived, plus the "unfinished obelisk" found partly hewn from its quarry at Aswan. These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt. These tall, four-sided, narrow tapering monument which ends in a pyramidion at the top refers primordially to a pyramid so high that could "pierce the sky"- the Orionian power pyramids. Luxor temple, the large egyptian temple complex located on the east bank of the Nile river. The four baboons of Thoth can be found at the pedestal of the remaining obelisk (the other one is in the Musée du Louvre #D 31), a direct reference to the lunar power pyramid (image below of the Book of the Dead of Pashed, sheet 2- BM#EA9955,2). The representation of a pyramidion located over a raised structure, high enough so it could pierce the heavens like an arrow, or a "holy mountain", can also be connected to the symbol of Marduk, the babylonian supreme God. In the egyptian language, hetepu was the word that meant "offerings" and it was used most prominently in Sekhet-Ḥetepu, meaning "field of offerings", a title for Aaru. The fields of Aaru (/ɑːˈruː/, iArw meaning "reeds"), known also as Sekhet-Aaru or the "field of reeds", are the heavenly paradise where Osiris rules. "The Field of Rushes is therefore located wherever the dead are imagined to be. It may be the "Field of Kenset" near the waters which the king must cross and which purify him. Or the "Field of Rushes" may be another name for the Primeval Hill, an island in the midst of those waters and pre-eminently suitable for a resurrection from death."
"Since the Primeval Hill was the place of sunrise and creation, and hence the place of rebirth an resurrection, the waters of Nun which surrounded it became those waters of death which, in the imagination of many peoples, separate the world of the living from the world of the dead. Revealing is a pyramid text in which King Pepi calls on the ferryman to ferry him 'to that Eastern side of Heaven, where the gods are born, when comes that hour of labor (Dawn)' (Pyr. 1382)." Kingship and the Gods, H. Frankfort, p. 120 / 154 "The first obstacle in the Pharaoh's course was the Lake of Reeds — a long body of marshy waters made up of a series of adjoining lakes. Symbolically, he had the blessing of his guardian god to cross the lake by parting its waters(...)." The Stairway to Heaven, Zecharia Sitchin, p.47 "Aided by the gods, the king passes safely through the second division and in the Third Hour arrives at Net-Asar, "The Stream of Osiris." Similar in size to the second division, this third division is inhabited by "The Fighters." It is there that the four gods, who are in charge of the four cardinal points of the compass, are stationed. The pictorial depictions which accompanied the hieroglyphic texts surprisingly showed the Stream of Osiris as meandering its way from an agricultural area, through a chain of mountains, to where the stream divided into tributaries. There, watched over by the legendary Phoenix birds, the Stairway to Heaven was situated; there, the Celestial Boat of Ra was depicted as sitting atop a mountain, or rising heavenward upon streams of fire." The Stairway to Heaven, Zecharia Sitchin, p. 50 Note that Thoth is precisely the scribe of the Gods, "lord of writing" or "master of papyrus", referencing to the reed that he holds with the palette, a clear connection to the "marsh of reeds" on the Moon. At the end of the "watercourse", the stairway that leads to heaven (images below of the papyrus of Ani- BM#EA10470 and Tentameniy- BM#EA10086). In the biblical narrative of the exodus, " yam sûph" refers to the body of water that the israelites crossed following their departure from Egypt. The original text of the hebrew scriptures states that Israel crossed the sea of reeds, and not the "Red Sea". That's because the Red Sea has maintained its currency in translations since it first appeared in the greek septuagint translation of the hebrew scriptures, yet it could hardly have been in the original hebrew since even the latin vulgate has the correct "sea of reeds" translation. The hebrew yam sûph, term which occurs about 23 times in the tanakh, should be translated sea of reeds, but for some reason the septuagintal translators rendered it as Red Sea. Since early english translations were largely dependent upon the septuagint, the english translations retained and transmitted the error. The 1962 edition of the torah, published by The Jewish Publication Society of America, has corrected this to read sea of reeds. "So God led the people roundabout, by way of the wilderness at Yam Sûph." Exodus 13:18 "Then Moses caused Israel to set out from Yam Sûph(...)" Exodus 15:22 Interesting evidence for the field of reeds of the netherworld comes from the coptic translation of the old testament. This version translated the name Red Sea with either of two words which were each transliterations of egyptian words. One word transliterated the egyptian sea of reeds, so the coptic version of the old testament implied a clear link between the field of reeds and yam sûph. Another parallel between Israel's sea crossing and the field of reeds theology can be seen in Exodus 15:13 (and its parallel in Exodus 15:17). After passing through the yam sûph, God led Israel to His holy dwelling place, the cosmic mountain of God- or the lunar power pyramid. "In your unfailing love you will lead the people you have redeemed. In your strength you will guide them to your holy dwelling." Exodus 15:13 "You will bring them in and plant them on the mountain of your inheritance— the place, Lord, you made for your dwelling, the sanctuary, Lord, your hands established." Exodus 15:17 Baal-Zephon can hardly be anything but a sacred area dedicated to the canaanite God Baal, who, like Osiris, was believed to have died and risen again. The second part of the compound "zephon" is actually the name of Baal’s mountain, Zaphon. That fact indicates that there was a mountain in the vicinity of the sea that Israel crossed. It was intended to represent the cosmic mountain of God belonging to God Baal which lay beyond the sea of reeds in the realm of the dead. In accordance with the unique egyptian theological tradition concerning the deceased's crossing of the field of reeds, biblical God parted the waters so that Israel passed through unharmed. Yet instead of continuing the parabolic pantomime with Israel at the mountain of Baal near the sea, God ignored this mountain which was associated with the sacred sea Israel had just crossed. He led Israel on to mount Sinai, a mountain in the desert meant to represent his own holy place. In bypassing Baal-Zephon, biblical God also dismissed Baal's claim to the title of "God of the resurrection". He would later, through the prophets, make much of this initial contemptuous affront to Baal's power and ability to effect the resurrection on behalf of his worshippers. But at the time of the exodus, it was enough to simply ignore the patron deity of the sacred sea of reeds through which He had just led His People. The passover parable is a powerful statement in the blible of God's purpose in His incarnation in the person of Jesus. In leading Israel out of Egypt, metaphorically through the sea of reeds and on to the mountain of God, corresponding to Reiner Gamma and the lunar power pyramid, there is one simple but definitive statement in the symbolic language of the religion the egyptians knew and understood- it's not only the pharaoh who could triumph over death. "If you believed Moses, you would believe me, for he wrote about me." John 5:46 It is important then to understand that Israel's sea crossing was intended to refute both Baal motifs and traditional egyptian underworld motifs. The sea crossing events fit far better as a polemic against mortuary motifs that were written before the transition occurred during the reigns of Hatshepsut and Thutmose III. To understand this fact, it is important to gain an overview of the egyptian texts. If Israel's sea crossing is understood in the context of a largely middle kingdom belief set that was handed down through the Hyksos era, Israel's sea crossing refuted one of the most ancient and pervasive aspects of egyptian religion- the solar cycle theology that justified pharaoh's claims to divinity, and especially the various field of reeds motifs. These were expressed by a variety of egyptian terms, including the field of reeds ,the field of offerings and the winding watercourse (for more details please check in addendum E). Even the earliest egyptian texts show diversity in their use of this motif. A thousand years before Moses was born, this motif can be seen in Faulkner's pyramid text utterance 504. This spell read in part: "The reed-floats of the sky are set down for me, for I am Horus of the Gods and I will cross indeed to Re at the horizon. I take to my self my throne which is in the field of rushes, and I descend to the southern region of the field of offerings". A second parallel can be seen in Exodus 14:21, with the motif of a miraculous pathway. Israel faced captivity and death between pharaoh's forces and the yam sûph. Escape was impossible until God opened a pathway before Israel so that they could cross it on dry ground. This miraculous pathway paralleled closely one of the oldest aspects of egyptian field of reeds theology, the motif of a miraculous path through the marsh. As field of reeds theology developed into several astral, horizon and underworld forms, each field of reeds location came equipped with its miraculous pathways through the marsh. Texts which placed the field of reeds in the sky also described a celestial pathway which led to God's presence. The celestial pathway can be seen in Faulkner's Pyramid Text Utterance 437, that claimed in part: "May you remove yourself to the sky, for the roads of the celestial expanses which lead up to Horus are cleared for you. Seth is brotherly toward you as the Great One..., for you have travers ed the winding waterway in the north of the sky as a star crossing the sea which is beneath the sky". "Then Moses stretched out his hand over the sea, and all that night the Lord drove the sea back with a strong east wind and turned it into dry land. The waters were divided" Exodus 14:21 It is fair to say that the similarities between Israel's sea crossing and egyptian field of reeds theology are much stronger than the similarities with baalism. The generation that left Egypt needed a strong polemic against egyptian theology more than it needed a refutation of baalism. Yet by the end of Moses lifetime, egyptian theology was already losing its theological importance for Israel. After Israel entered the land, that theology was rarely a great threat to their faith. Baal worship, whose typical depiction references directly to Orion, was a strong force in the Nile delta during the years of Israel's egyptian sojourn. It was promoted especially by Hyksos rulers, but it had also been present in Egypt for many centuries before this time. Israel clearly did fall into idolatry in Egypt, as is witnessed by passages like Joshua 24:14 and Ezekiel 20:8-10. While Moses does not list the forms of idolatry which the israelites practiced in Egypt, they probably served both egyptian and canaanite deities. In light of this, it is not surprising that Israel's sea crossing served as a polemic against both egyptian and canaanite Gods. "Now fear the Lord and serve him with all faithfulness. Throw away the gods your ancestors worshiped beyond the Euphrates River and in Egypt, and serve the Lord." Joshua 24:14 "But they rebelled against me and would not listen to me; they did not get rid of the vile images they had set their eyes on, nor did they forsake the idols of Egypt. So I said I would pour out my wrath on them and spend my anger against them in Egypt. But for the sake of my name, I brought them out of Egypt. I did it to keep my name from being profaned in the eyes of the nations among whom they lived and in whose sight I had revealed myself to the Israelites. Therefore I led them out of Egypt and brought them into the wilderness." Ezekiel 20:8-10 As soon as Israel had "crossed the sea", Moses promised in Exodus 15:17, mentioned above, that Yahweh would bring Israel to His holy mountain, His dwelling, the place of His sanctuary, and the place where He would reign forever. This promise received its first fulfillment as Israel arrived at Sinai, the holy mountain of Yahweh. The lunar power pyramid then represented the primeval mountain of God. The "house of Osiris" in the realm of the dead was at the base of the cosmic mountain of God- the King's throne in the early part of Reiner Gamma's bright duct. After leading Israel across the yam sûph, Yahweh led Israel through the wilderness to mount Sinai. While Moses was still hiding from pharaoh in the wilderness, he had led his flocks to this mountain. Exodus 3:1 described it as mount Horeb and located it in the back of the wilderness. "Now Moses was tending the flock of Jethro his father-in-law, the priest of Midian, and he led the flock to the far side of the wilderness and came to Horeb, the mountain of God." Exodus 3:1 "The Lord said to Aaron, 'Go into the wilderness to meet Moses.' So he met Moses at the mountain of God and kissed him." Exodus 4:27 According to the Book of Exodus, mount Sinai is the mountain at which the ten commandments were given to Moses by God. This name concerns the toponimy of Sinai which should be read: mount Sin-ai, i.e. "mount of Sin", the sumerian deity of the Moon. Thus mount Sinai is then the mount of the Moon God. In the Book of Deuteronomy, these events are described as having transpired at mount Horeb. The name Sinai is only used in the torah by the jahwist and priestly source, whereas Horeb is only used by the elohist and deuteronomist. Sinai and Horeb refers in fact to the same place. "They set out from Yam Sûph and encamped in the wilderness of Sin." Numbers 33:11 Mount Sinai was everything that Baal Zaphon only claimed to be. That contrast was clearly intentional. Israel had fallen into Baal worship in Egypt. Now they saw clearly the foolishness of Baal worship in the light of Yahweh's burning glory. Mount Sinai had all of the basic characteristics of holy mountain theology across the Near East. It was the mountain of God. It burned with supernatural fire to the heart of the "heavens". Moses wrote in Deuteronomy 4:11, "You came near and stood at the foot of the mountain while it blazed with fire to the very heavens, with black clouds and deep darkness." Sinai is the place where Israel encountered Yahweh, and heard His great voice thunder from the heart of heaven, where divine decrees were issued. Sinai was also the source of life giving water. In Exodus 17:6, Moses struck the rock so that water flowed from it, while in Deuteronomy 9:21, Moses recorded that a stream then flowed down from mount Sinai - metaphors for Reiner Gamma's duct. "'I will stand there before you by the rock at Horeb. Strike the rock, and water will come out of it for the people to drink.' So Moses did this in the sight of the elders of Israel." Exodus 17:6 "Mount Sinai was covered with smoke, because the Lord descended on it in fire. The smoke billowed up from it like smoke from a furnace, and the whole mountain trembled violently." Exodus 19:18 "The Lord descended to the top of Mount Sinai and called Moses to the top of the mountain.(...)" Exodus 19:20 "The mountains quaked before the Lord, the One of Sinai, before the Lord, the God of Israel." Judges 5:5 "Also I took that sinful thing of yours, the calf you had made, and burned it in the fire. Then I crushed it and ground it to powder as fine as dust and threw the dust into a stream that flowed down the mountain." Deuteronomy 9:21 So, Israel's sea crossing mimicked and refuted key aspects of ancient egyptian theology. Yahweh actually did what that theology only claimed that a pharaoh could do. Jesus constanly spoke in parables, dramatizing his message in parabolic pantomime, similarly to the practice of the old testament prophets whom God often directed to state their message symbolically in pantomime, of which possibly the most impressive is the metaphorically detailed set of biblical directives God issued through Moses to the people of Israel before, during and after their exodus from Egypt. In the Book of Enoch, the ancient jewish religious work, we can find a detailed portrayal of Reiner Gamma's bright duct and the three pyramids set, with emphasis on the "holy mountain", or the central lunar power pyramid. Note that the relative dispositions of the locations and directions were described by the observer from a Moon low orbit point of view, in sintony with several passages of the bible. "Now the main point of what we are saying is this: we do have such a high priest, who sat down at the right hand of the throne of the Majesty in heaven(...)" Hebrews 8:1 "Then the King will say to those on his right, 'Come, you who are blessed by my Father; take your inheritance, the kingdom prepared for you since the creation of the world. For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in, I needed clothes and you clothed me, I was sick and you looked after me, I was in prison and you came to visit me.'" Matthew 25:34-36 "Also in front of the throne there was what looked like a sea of glass, clear as crystal." Revelation 4:6 As a matter of fact, the comprehension of the power pyramid as a "holy mountain" was widespread in ancient human cultures. In Teotihuacan, the largest city in the pre-Columbian Americas, a magnificent mural in the Palacio de Tepantitla- at the end of the watercourse, the holy mountain of which top living people emerge. The falcon God was worshiped, connecting this culture not only to ancient Egypt but also to Tiahuanaco. The adoration of Orion Nebula as a major God in Teotihuacan, following Horus and the Staff God, was accompanied by the stylized symbol of an eye. The typical representation found in the Palacio de Quetzalpapalotl presents the falcon "perched" on Orion's belt. It is interesting to observe that while the depiction of the falcon God in the "Gate of the Sun" at Tiahuanaco references to the figurative disposition of M42 with the head facing upwards, following the relative disposition of the Nebula regarding the constellation itself, as seen from Earth, in Teotihuacan it uses the belt to symbolically refer to Orion. Tiahuanaco and Teotihuacan were built starting from where power pyramids were located, which motivated the flourishing of both cities as monumental symbols of the human devotion to Orion. These two extraterrestrial structures were removed millenia ago, while the terrestrial pyramids constructed in their honor remain erected and aligned to them. The primordial settlement of Tiahuanaco has been only partially explored. While the temple of Kalasasaya is aligned to the cardinal directions, the templete and the pyramid of Akapana were built aligned to Puma Punku, in the same way as the pyramids of Teotihuacan were in relation to each other. Teotihuacan, the cosmopolitan city that accommodated an expressive number of pilgrims, was essentially conceived observing the belt of Orion. The arrangement of the pyramids as the stars of Orion's belt followed their axes. The main axis of Teotihuacan was designed from the center of the pyramid referencing to Mintaka, on a north-south disposition for ~2km, perpendicularly to an axis passing through the center of the Alnitak pyramid. Preceding Teotihuacan in millenia, the pyramids of Puma Punku/Tiahuanaco also follow Orion's belt. Tiahuanaco's central pyramid, referring to Alnilam, was constructed the way pyramidal structures could be created by terrestrial humans at its time. It was built not only with steps but primordially as an impressive symbol "lying down", or to be seen from a top view. In the so-called "Gate of the Sun", the pyramid of Puma Punku was depicted as a polygon with the same twelve faces that were used in Alnilam's pyramid. It was depicted on a boat, linking the symbolism to the egyptian mythology and ultimately Reiner Gamma's duct and the "watercourse" (for more details please check in addendum E). This pyramid representation features the depiction of a feline, a jaguar or puma, at its center, connecting it straight to Puma Punku, from which all stylized paths lead to the falcon, or Orion Nebula. In part 9- "Oxib X'kub' and Extraterrestrial Pyramids: Connection to Messier 42", it was demonstrated that the pyramids at Reiner Gamma's area follow the alignment of Orion's belt and present particular geoglyphs linked to them. Starting from the representation of Alnitak, and considering the clockwise rotation of the second and third pyramids over their own axes, a "vector" is formed defining a location in the region below the belt. At this position the depiction of a stylized eye was placed, referring to an interstellar portal, and continuing from this point there is the geoglyph of a falcon. It was also evidenced that by comparing these lunar pyramids and the image of Orion, rotating the set over the constellation until that it is aligned to the stars of the belt (not perfectly due to the difference in the alignment that was used when the lunar set was built and its relative position from Earth nowadays, and/or imprecision in the exact determination of the center of these pyramids due to the quality of the image used), the interconnection between the falcon's geoglyph and Orion Nebula becomes established. As a result of this, the set of pyramids on the Moon composes a comparable pattern consisting of at least five relative positions: the stars of Alnitak, Alnilam and Mintaka, plus the interstellar portal or eye, and M42 or the falcon. Actually, the scene depicted at Reiner Gamma surrounding the pyramids set is extremely detailed and symbolic, covering an area of over 100,000km². There are uncountable representations of all sorts. - Click on the image to enlarge - Its main concept, very concisely, presents the portraits in profile of an Orionian, close to the pyramid relative to Alnitak, a small group of hominids, being the first one depicted as an early hunter with animal pelts as ornaments, next to the lunar power pyramid, and an extraterrestrial human next to Mintaka's representation, all facing towards the geoglyph of the falcon, while an enormous tubular structure spreads very tortuously through the Moon until it finally reaches M42 as the head of a serpent, so widely and variously mentioned in mythologies- a reference for the journey through interstellar portals until Orion Nebula. Orionian portrait, facing towards M42 (image rotated clockwise). Orionian portrait (image rotated clockwise and zoomed in). Human portrait (image rotated clockwise and zoomed in), depicted as an early hunter. Human portrait, commented. Extraterrestrial human portrait, note the format of the ear and the elongated skull. The head of the serpent being depicted when the tubular structure reaches M42 (image rotated clockwise and zoomed in). So, starting from the center of the place where the pyramid referring to Alnitak was located, we rotated Reiner Gamma's image over Teotihuacan, Tiahuanaco and Giza sets matching the disposition of Orion's belt- and not only the positions of both eye (interstellar portal) and falcon (M42) corresponded to representations in all three areas. An overview of the relative arrangement of these pyramids sets, plus the geoglyphs and all the terrain around them, was then necessary to reveal the truth beyond the simple reproduction of a stars alignment. Teotihuacan Tiahuanaco Giza The lunar scene, including the duct of Reiner Gamma, was scaled down, adapted to fit each terrestrial scenario and then engraved on Earth millenia ago. There are many evidencies of this, even though after so long. The process that was used at last subtly modified the surface of the terrain, changes which have been incorporated over time by the natural environment and the human occupation. As a demonstration, click on the images below to open or download (splittable .gif) the respective comparative of Reiner Gamma area with each of the sets (Teotihuacan - Tiahuanaco - Giza order), for the following engravings: Reiner Gamma's duct Human portrait Extraterrestrial human portrait Orionian portrait The third pyramid of Tiahuanaco, referencing to Mintaka and aligned to Puma Punku, is still buried to the north of the city. It is a step pyramid just like the one referencing to Alnilam, measuring ~50x50m. Determining the position of this pyramid was done by comparing a Moon image, from the area surrounding the lunar pyramid relative to Mintaka, to the corresponding region at Tiahuanaco, after matching the belt of Orion relatively to the other two stars at Puma Punku and Akapana pyramid. Note how the representations on the Moon have been engraved on Earth and in what way this process has subtly impacted the topography of the area, being assimilated by the vegetal cover and little streams. However, observe that the representations from the lunar set have been carved from above in the terrain surrounding the terrestrial pyramids sets, and not merely "printed" on the ground; these fantastic sculptures remain nowadays just under the surface as 3D versions from that area of the Moon. This is an absolute key point for understanding the addendum. In the lunar pyramids set, there is the depiction of a serpent coming from below (S1) perpendicularly to the base of Mintaka pyramid (P), while another serpent (S2) flanks it. In the terrestrial sets, the same symbolism is followed as a lunar reflection. Teotihuacan Tiahuanaco (photo of 1992) Giza What you can observe in these images are figures representing the underground at that exact position as it would be seen indeed from a top point of view, portraits with a gorgeous sense of depth of colossal and spectacularly detailed sculptures. So, the transmuting process used by Orionians millenia ago for engraving Reiner Gamma set on Earth, created the depictions under the surface with all their details while printing on the terrain an image of what is below. Note that this fantastic process was certainly done only after the construction by humans of the terrestrial pyramids sets honoring Orion, and not when the primordial extraterrestrial power pyramids were installed. Teotihuacan's peculiar arrangement proves it. As it's explained above, the city was designed following the main axes of Orion's belt, resulting in an altered position for Mintaka pyramid closer to the center of the belt than it should, if observing the disposition of the stars like in Giza and Puma Punku/Tiahuanaco. Notwithstanding, the carvings related to this pyramid were placed observing its actual shifted location. We can check some other images of 3D underground carved representations as examples of this transmuting process, and their situation at the time of the photos. Giza - Click on the image to enlarge - ~370mx370m "Eye of Horus" set (29°59'0.14"N 31°7'48.51"E) Situation: buried. It is composed of several transmuted extraterrestrial structures. Detail of two of these extraordinary sculptures, note the great stylized eye at the center. ~600m insect sculpture (29°58'18.26"N 31°7'14.28"E) Situation: excavation works in progress. Tiahuanaco (1992 satellite photo) - Click on the image to enlarge - ~230m Mintaka pyramid flanking serpent (16°33'3.87"S 68°40'1.41"W) and ~180mx180m scene to the west (16°33'0.02"S 68°40'12.06"W) Situation: excavation works in progress. Detail of the excavation of the serpent. Detail of the excavation of the scene, note the carved wolf's head at the bottom right. ~600m partial humanoid head (16°34'11.22"S 68°40'43.75"W) Situation: excavation works in progress. ~70m extraterrestrial human helmet (16°33'46.52"S 68°40'34.92"W) Situation: digged up. ~110m Orionian skeletons (16°33'15.40"S 68°39'52.02"W) Situation: partially digged up. ~900m stylized human and "alien", shown side by side (16°34'28.97"S 68°40'37.81"W) Situation: partially digged up. ~200m several serpents "striking" Alnilam pyramid from bottom (16°33'25.01"S 68°40'21.57"W) Situation: final part of the mouths is partially digged up. Additionally, there are many other carved representations linked to these pyramids sets. For example, the King's headgear, whose practical appearance resembles the ubaid clay head described in parts 1- "The Core" and 6- "The Triple Connection: Middle East, Atacama and Moon", is present buried in all sets, spreading through hundreds of square kilometers in its intricate multi-eyed setup, that features an extraordinary symbolism detailed below in the second part of this addendum. -Click on the images to enlarge- Teotihuacan Tiahuanaco Giza Note that these extraterrestrial carving processes have not occurred solely due to the construction of pyramids sets; indeed, very far from it. In Chile, the terrestrial geoglyphs of Chiza, demonstrated in part 6 and in addendum C, are an integral central part of a full body representation of the King, including right above and merging with it, a magnificent multi-eyed headgear with ~40Km long. Detail of the ~3.5Km main eyes and the intricate multi-eyed setup at Chiza. -Click on the images to enlarge- Stonehenge, the prehistoric monument in England, was built and served for millennia as a place to worship Orion, so it is very interesting to observe how the transmuting process used by Orionians to create a full carved depiction of the King, centrally under it, modified the surface of the terrain as seen before in Teotihuacan, Tiahuanaco and Giza, subtle changes which have been incorporated over time by the vegetal cover and the urbanization of Amesbury. The journey of K'inich Janaab Pakal, cross-referencing his tombstone, was demonstrated in part 7- "Pakal's Last Journey: The Mayan Connection". A full body carved depiction of the King was created centrally under Palenque, Mexico, and also subtly modified the terrain, changes which have been incorporated over time by the vegetal cover and the human occupation as the city of Palenque. And exactly the same can be observed at Aramu Muru, the peruvian stone place near Lake Titicaca known as a "Gate of the Gods", the giant door-like structure which was carved out of a huge rock and served for millennia as a sacred place to praise our creators. It is by the comparison between the topography of Stonehenge, Palenque and Hayu Marca areas that you will notice that not only the carved depiction of the King has been created centrally under the three places, but the scene transmuted in the underground of all these areas includes several other representations that softly modified the relief, impacting its appearance in a similar way. Click on the image below to open or download a .gif with a scale adjusted comparative of the topography. CONTINUES BELOW
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| Subject: Re: Nibiruans, divinity and the truth Sun Apr 01, 2018 3:02 am | |
| F.2- Our King, Our Redeemer, Our Father in Heaven Lake Titicaca. According to the Inca creation myth, the place where Viracocha emerged from, bringing human beings with him. After ordering the Sun, the Moon and the stars to rise, this God commanded humans to go and populate the world. The lake was then Inca's place of origin, and that upon death their spirits would return to. An immeasurable data stream, that will be called from now on flux, emerges from its bottom and runs south following by the Andes. It continues through the wonderfully carved hills, in the shape of hundreds of reptiles and adorned with stylized Orionian heads, over Tiahuanaco area. From the east, the flux coming from western Amazonia, after passing through other sculpted hills, joins the descent by the mountain range until a specific central andean region. Carved on a north-south disposition over ~1,000km of the Andes, the astonishing depiction of the King's multi-eyed headgear, through which the flux goes by. It's been magnificently created, being as highly symbolic as it could be expected- words are not enough to express its grandiosity. -Click on the images to enlarge- ~26 Km scene ~13 Km ~4.4 Km~16 Km~7 Km~13 Km~3 Km~1.6 Km~2.8 Km~16 Km~22 Km~13 Km~31 Km~4.4 Km~15 Km~7 Km~11 Km The details are jaw-dropping, featuring hundreds of different eyes in the setup. -Click on the images to enlarge- ~12 Km scene ~7.3 Km ~130 Km ~8.5 Km ~19 Km ~4 Km ~2.6 Km ~3.2 Km ~28 Km ~7.3 Km ~5.5 Km ~13 Km ~6 Km ~21 Km~3 Km~17 Km~16 Km~4 Km -Click on the images to enlarge- ~2.8 Km - 4 Km - 7 Km scenes ~54 Km - 3 Km - 2.7 Km ~9.6 Km - 10 Km - 3.5 Km ~1.5 Km - 4 Km - 4.7 Km ~2 Km - 4 Km - 1 Km ~9 Km - 13 Km - 0.4 Km ~0.6 Km - 0.7 Km - 0.8 Km ~0.5 Km - 1.5 Km - 1.8 Km ~1 Km - 2.2 Km - 2.5 Km ~2.5 Km - 2.5 Km - 2.6 Km ~2.7 Km - 2.8 Km - 2.9 Km ~2 Km - 3.2 Km - 3.3 Km ~3.9 Km - 3.3 Km - 4.5 Km ~4.5 Km - 4.7 Km - 4 Km ~5 Km - 5 Km - 40 Km ~6.9 Km - 6 Km - 7.5 Km ~8.1 Km - 8 Km - 10 Km ~10 Km - 11 Km - 12 Km ~13 Km - 13 Km - 14 Km ~12 Km - 1.5 Km - 2 Km ~14 Km - 15 Km - 16 Km ~18 Km - 19 Km - 20 Km ~26 Km - 30 Km - 34 Km ~47 Km - 63 Km - 100 Km ~3.5 Km - 0.9 Km - 7 Km ~8 Km - 10 Km - 9 Km ~0.5 Km - 8 Km - 7.7 Km ~4.3 Km - 5.5 Km - 6.6 Km ~6 Km - 8 Km - 3.7 Km ~1 Km - 1 Km - 1 Km ~6.4 Km - 4 Km - 95 Km ~5 Km - 5.7 Km - 4.2 Km ~17 Km - 3.5 Km - 3.7 Km ~1.6 Km - 7 Km - 1.6 Km ~4 Km - 1.5 Km - 6 Km ~1.5 Km - 8.3 Km - 1.5 Km ~6.6 Km - 5.5 Km - 3 Km ~5 Km - 9 Km - 7.5 Km ~10 Km - 4 Km - 4 Km ~6 Km - 9 Km - 14 Km ~17 Km - 6 Km - 24 Km ~35 Km - 23 Km - 10 Km ~2 Km - 3 Km - 2 Km ~19 Km - 40 Km - 66 Km ~20 Km - 6 Km - 0.22 Km ~5 Km - 2.8 Km - 9 Km ~6.6 Km - 6 Km - 10.3 Km ~1.8 Km - 4.6 Km - 130 Km ~44 Km - 45 Km - 98 Km ~6.7 Km - 3.6 Km - 4 Km ~0.8 Km - 4 Km - 13 Km ~14 Km - 36 Km - 8 Km ~6 Km - 6 Km - 7 Km ~4 Km - 2 Km - 6 Km ~5 Km - 6 Km - 5 Km ~6 Km - 3 Km - 6 Km ~14 Km - 15 Km - 13 Km ~14 Km - 11 Km ~11 Km ~25 Km ~7 Km As the flux advances over the King's headgear representation, the symbolism becomes clearly more organic. Figurative elements connected to the human mysticism are increasingly present in the magnificent representations. -Click on the images to enlarge- Until that the symbolism of the flock emerges simply irrefutable, leaving the ducts of flux on a course through the Atacama desert towards the ocean- flock on the way of the shepherd, Orion (for more details please check in addendum C- ""Kingdom in Heaven" x Interstellar Monarchy"). -Click on the images to enlarge- ~0.8 Km scene ~4.3 Km ~1.3 Km ~1.4 Km ~1.5 Km ~0.6 Km ~2.5 Km ~2.8 Km ~13 Km ~30 Km Reaching the Pacific, it spreads over the sea floor in a vast profusion of ways. Its path ends on Earth in prodigious submerged power pyramids dispersed throughout the oceans. These single piece extraterrestrial structures feature a stylized falcon's head on their upper parts as a symbol of Orion Nebula, by the way like the lunar central pyramid. From the oceanic pyramids, the flock reappears now on our Moon, before the King's throne at Reiner Gamma. And at last, after the power pyramid, Clementine's image shows the symbolism of the flock on its way to Orion Nebula- the final destiny of humans. Naturally, the journey of the flux, that was described using the andean region of South America, could be portrayed in other regions on Earth. There are colossal carved depictions of the King's headgear, also in its multi-eyed setup, in an immensity of other locations spreading through millions of square kilometers, all of them featuring a very impressive connected extraterrestrial symbolism. -Click on the images to enlarge- CONTINUES BELOW
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Posts : 24 HAF Points : 38 HAF Reputation : 10 Join date : 2013-03-22 Location : Brazil
| Subject: Re: Nibiruans, divinity and the truth Sun Apr 01, 2018 3:03 am | |
| The flux originates from the Orionian structure known as eye, of which the egyptian "Eye of Horus" is the best example. In fact, its name couldn't be more appropriate. An eye is an organ that provides organism with vision. It detects light and converts the images into a set of electrical signals, transmitting them to the brain. This extraterrestrial structure is capable of collecting every aspect of each human life, from the moment of conception until the instant of death. The fantastic and continuous data stream produced forms what has been called flux. It is on the continuity feature of this collecting process that the biblical dogma of the last judgment, described in Matthew 25:31–46, "The Sheep and the Goats", was based, and also the egyptian "Weighting of the Heart", ceremony pictured on papyrus in the Book of the Dead and in tomb scenes (for more details please check in addendum E). For one final experience, divided into two parts, initially a scene symbolized over ~2,500Km in the Southern Cone, of which the first segment has been sculpted on an east-west disposition for ~160 km at the lower part of the King's multi-eyed headgear, on the Andes. -Click on the image to enlarge- At its center, a carved representation of a square based power pyramid with a length of ~3.7Km. -Click on the image to enlarge- The representation of the flock is all around it. Note how the scene has been gorgeously created so that there is an amazing sense of depth. -Click on the images to enlarge- ~30 Km scene ~42 Km The flock's been mostly arranged around the pyramid like if resting, and a flock-shaped flux has been represented towards the apex of the structure. -Click on the images to enlarge- ~5.5 Km scene ~3 Km ~3.6 Km ~4 Km ~7 Km The depicted pyramid is located at the center of a sculpted falcon, whose wings can be seen at the center of the image on a horizontal disposition, and the head is on the top of a triangle, in fact referring to the side view of another pyramid. -Click on the image to enlarge- ~340 Km scene Detail of the triangle and the falcon's head. Note the immensity of flock depictions within it. -Click on the image to enlarge- ~85 Km scene From the apex, a flock-shaped transmission inside bulbs gets away. -Click on the images to enlarge- ~5 Km scene ~3.5 Km ~25 Km ~4 Km ~4.6 Km The sheep-shaped bulb, with the stylized human face in front of it, arrives at the first eye, the solar system portal, the one ancient egyptians called Eye of Ra- our Moon. -Click on the images to enlarge- ~35 Km scene ~130 Km ~61 Km ~15 Km Note the flock-shaped clouds depicted around the representation of the lunar power pyramid. Earth was represented next to the Moon, partially overlapping it and presenting a stylized falcon's head in South America whose beak ends at Puma Punku, evidencing that the power pyramid was still operational when this scene was created millenia ago. -Click on the image to enlarge- ~9 Km scene ~52 Km scene From this portal, the journey continues tortuously until it reaches M42's eye. Note the depiction of a square based pyramid inside it. -Click on the images to enlarge- ~140 Km scene ~300 Km ~24 Km ~5 Km Orion Nebula has been represented by innumerable transmuted overlaid underground carvings that subtly modified the topography, from inside the depiction of the eye itself, as shown below, until they comprehended all South America. ~22 Km scene -Click on the images to open or download the respective scale adjusted comparative- And from the eye of Messier 42, after another passage through the sinuous interstellar duct, the symbolism of the flock-shaped clouds now at their destiny. -Click on the images to enlarge- ~190 Km scene ~1.9 Km ~1.1 Km ~2.5 Km ~0.9 Km ~1.5 Km - 1.9 Km - 4.5 Km ~2.4 Km - 4.2 Km - 4.3 Km To start with the second part of the final experience, the multi-eyed setup. It transmits a very important symbolism for Orionians in their interaction with humanity. In the biblical text of Revelation 4:6-8, its author describes four winged "creatures" around the throne of the King as being "covered with eyes". "(...)In the center, around the throne, were four living creatures, and they were covered with eyes, in front and in back. The first living creature was like a lion, the second was like an ox, the third had a face like a man, the fourth was like a flying eagle. Each of the four living creatures had six wings and was covered with eyes all around, even under its wings.(...)" The concept of having so many eyes that nothing could escape is initially evident. In fact, the All Seeing Eye of God could be interpreted as a divine eye that "can see everything", or maybe even the eye inside the triangle "formed by three of the stars of Orion"- and these are interesting and valid conjectures, but at a "terrestrial level" analysis. It actually goes beyond that. The eye and the pyramid together form the full system created by Orionians: the eye is the highest technology data collector, or the receiver, while the pyramid is the long range transmitter. Earth's flux is transmitted by the oceanic pyramids straight to the lunar eye, and then to Orion Nebula's portal through the pyramid at Reiner Gamma. At that eye situated below Orion's belt, the colossal receptor collects all data stream sent by the pyramids and retransmits it to M42. There, the flux from Earth is processed and converted regenerating human lives, in a highest technology process that can be called reanimation, revival or resurrection. This has been done since humans were created by the genetic manipulation of a pre-existing species ~300,000 years ago, and it will continue being done. The connection between our creators and Jesus has been evidenced in addendums C, concerning the depiction on the Moon of the crucifixion, and E, when several of his statements in the bible were undoubtedly referenced to Reiner Gamma area. Distributed all over the world as an extraordinary tribute, some of them under the largest mountain chains, there are countless underground transmuted representations of the crucified Jesus, featuring the multi-eyed setup that follows the symbolism of the King's headgear. This characteristic connects the figure of Jesus to the highest Orionian symbolic portrayal in their interaction with humanity. All these depictions present a similar disposition, and satellite images of some examples of these monumental sculptures can be checked below (full body - head - few details). Africa, note the carved eye, the flock-shaped flux and the sheep-shaped topography. -Click on the images to enlarge- Asia, note the flock and snake-shaped flux and the eye. Europe, note the eyes with the flock-shaped topography around them. North America, note the flock-shaped topography. Oceania, note the flock-shaped topography around the eye and the flock-shaped flux. South America, the multi-eyed symbolism. As a matter of fact, the creation by humans of tributes to Jesus, like the construction of statues around the world, has always gotten the attention and extraordinary reciprocal action by the King. Christ the Redeemer of the Andes was inaugurated in 1904 at the pass of La Cumbre, the highest point on the old road between Mendoza, Argentina, and Santiago de Chile. Then a fantastic underground sculpture was transmuted by Orionians, with the same multi-eyed disposition of the other colossal Jesus carvings mentioned above, on a south-north disposition through the Andes, using the location of this statue as the cross ending point (images of the full depiction and head areas). In 1931 Christ the Redeemer in Rio de Janeiro, Brazil, was completed. The statue is a symbol of christianity and is listed as one of the "New Seven Wonders" of the world. The multi-eyed underground sculpture was transmuted on a north-south disposition using the the peak of the 700m Corcovado mountain, where the statue is located, as the ending point. And more recently, in 2010, Christ the King was completed in Świebodzin, Poland. It is one of the tallest statues of Jesus in the world, 33m. Once more, the sculpture was transmuted into the underground of the region, on an east-west disposition using the location of the statue as the ending point. Click on the images below to open or download a scale adjusted comparative of the topography respectively of the full body and head areas in the three regions (Argentina/Chile - Brazil - Poland sequence). There are countless other monuments that could be mentioned, in each and every region of the world, without a single exception. The primordial sculpture of the crucified Jesus was created by Orionians possibly starting from the place where the crucifixion happened, and then on an east-west disposition through ~50Km. This representation was later adapted to fit each scenario and transmuted just under the surface all across the world. Click on the images to open or download a scale adjusted comparative of the topography respectively of the full body and head areas in Israel/Palestine - Argentina/Chile. And click on the images to open or download a scale adjusted comparative of the topography respectively of the full body and head areas in Israel/Palestine and the following regions: Africa Asia Europe North America Oceania South America Better images of the these extraterrestrial buried sculptures, or the portraits printed on the surface relative to them, are unfortunately difficult to be observed with the exception of possibly only one, due to several factors like human occupation, vegetal cover, soil composition and climatic characteristics of its location- and this leads us back to the Atacama desert to conclude the final experience, close to where it started. Carved on a west-east disposition over ~40 Km of the Antofagasta region in the Atacama desert, heading to the ocean and at an upper centered position in the colossal multi-eyed representation, two extraordinary adjoined depictions of Jesus, positioned perspectively under the magnificent representation of an Orionian head. The first representation is the head of an Orionian in profile without the headgear (length of ~5Km). Note the enormous skull, which extends extraordinarily both vertically and horizontally when compared to humans, and a detail of the nose. In the second representation (length of ~12Km), Jesus is portrayed as the shepherd. The flock is present all around him, including on the head of the stylized sheep that is serenely holded. Note that the scene has been transmuted so close from the surface that the sheep's head is on it. Detail of the flux reaching the first depiction of Jesus. Detail of the partial excavation works of this same representation of Jesus (face length of ~1 Km), not in the Atacama but evidencing again that it is an extraterrestrial underground transmuted sculpture, and not merely a print on the surface. Click on the image to open or download the scale adjusted topography comparative of the area. In the third representation (length of ~23Km) Jesus is the judge, a symbolism linked to the observance or not by each and every human of the values brought by him, representative of the King, to Earth. The flux, while heading towards the ocean, passes in front of his right eye, a reference connected to the biblical texts of John 5:22-23 and "The Sheep and the Goats", the judgement of all the individual choices that have corresponded to the exercise of self-determination. "Moreover, the Father judges no one, but has entrusted all judgment to the Son, that all may honor the Son just as they honor the Father. Whoever does not honor the Son does not honor the Father, who sent him." John 5:22-23 "Then the King will say to those on his right, ‘Come, you who are blessed by my Father; take your inheritance, the kingdom prepared for you since the creation of the world.’" Matthew 25:34 Detail of the flock on his right, by which the flux runs towards his right eye, and a flock-shaped conductor after it. Detail of the flock-shaped flux reaching this second depiction of Jesus. A 3D perspective of the scene, with the Pacific in the background. These two connected representations of Jesus, depicted right under the Orionian head, plainly symbolize that the shepherd, ready to welcome and carefully hold the sheep, is before that the attentive judge. Both aspects do coexist. "The Father loves the Son and has placed everything in his hands." John 3:35 (...)"Very truly I tell you, I am the gate for the sheep. All who have come before me are thieves and robbers, but the sheep have not listened to them. I am the gate; whoever enters through me will be saved. They will come in and go out, and find pasture. The thief comes only to steal and kill and destroy; I have come that they may have life, and have it to the full." John 10:7-10 (...)"I am the resurrection and the life. The one who believes in me will live, even though they die; and whoever lives by believing in me will never die."(...) John 11:25-26 (...)"I am the way and the truth and the life. No one comes to the Father except through me." John 14:6 In fact, the coexistence can be established starting by the analysis of the M42's eye at the Southern Cone. The center of this representation is primarily an underground carving of the head of the crucified multi-eyed Jesus, upon which a serie of transmuted sculptures have been applied. Click on the image below to open or download a scale adjusted comparative of the topography in Israel/Palestine - M42's Eye (Southern Cone). Both depictions of Jesus have been engraved in an overlaid side by side disposition from inside the eye itself until reaching all the surface of the planet. There isn't a single inch on Earth, including the seabed, in which these two colossal depictions of Jesus haven't been carved. Click on the images below to open the respective topography comparative in a shepherd - judge depiction order, for the following regions: M42's Eye (Southern Cone) Africa Asia Atlantic Europe North America Oceania South America As demonstrated in addendum E, the King personified the constellation of Orion as God for ancient egyptians and in the bible. This reference reports directly to Anu, the earliest attested sky-father deity of the sumerian religion, also known as "King of the Gods" or "Supreme Ruler of the Kingdom of Heaven", where Anu himself wandered the highest heavenly regions. He was believed to have the power to judge those who had committed crimes and his attribute was precisely the royal tiara. The historical sequence "polytheism - monolatrism - monotheism" is nothing more than a terrestrial convention. The monotheistic God references to Orion and our King just like the major polytheistic Gods have represented them, under several different names. Orion has always been to humans the beginning and end, or creation and finally rebirth, as much as our King, our Celestial Father, refers to the origin, the responsible for our creation, and Orion Nebula to humans final destiny. "'I am the Alpha and the Omega', says the Lord God, 'who is, and who was, and who is to come, the Almighty.'" Revelation 1:8 "He said to me: 'It is done. I am the Alpha and the Omega, the Beginning and the End. To the thirsty I will give water without cost from the spring of the water of life.'" Revelation 21:6 "'Look, I am coming soon! My reward is with me, and I will give to each person according to what they have done. I am the Alpha and the Omega, the First and the Last, the Beginning and the End.'" Revelation 22:12-13 Messier 42, the closest region of massive star formation to Earth, is estimated to be 24 light years or ~228 trillion kilometers across. The nebula has been completely shaped by Orionians, possibly basing on a diffuse previous one, and several of its depictions resemble the symbolism that has been demonstrated in this addendum, particularly related to the stylized flock-shaped flux in the images below. -Click on the images to enlarge- Enclosing M42, the surreal depiction of a crowned raptor whose beak points straight to the top of Orion Nebula. -Click on the images to enlarge- Indeed, the raptor is only the first of countless other colossal depictions, created by Orionians, that surround M42. In the image below, from the left of the nebula there is a torrent of stylized flock-shaped flux coming toward it. -Click on the image to enlarge- This representation can be cross-referenced by carvings over ~2,000Km at the Southern Cone. Starting from the King's multi-eyed headgear, at the central andean region, until the emblematic depiction of M42 located in the north of Patagonia (image below, coordinates 38° 7'12.96"S, 69° 7'42.84"W), the topography of the area, when compared with images from the bottom half of Orion, evidences that this region in South America is a reflection of the constellation, establishing a symbolism roundly connected to Reiner Gamma- it is through the King that humans may reach M42. -Click on the images to open or download the respective scale adjusted comparative- Verily, the scene from Orion including Messier 42 and the depictions around it has been carved on Earth, as a reflection of the constellation, in all the continents. It is important to observe that depictions of the King's multi-eyed headgear have been transmuted flanking left the representations of M42, keeping the same symbolism shown at the Southern Cone. Click on the images below to open or download (splittable .gif file) the respective scale adjusted comparative of topography in the following regions: Africa Asia Western Asia (Middle East) Europe North America Oceania Maybe we could consider this perspective of the bottom half of Orion as the way it was intended when the scene was designed ? The representation of the King is facing forward, being ~200 light years across, positioned vertically and centered in the image from the top of it until close to M42, while the stylized flying phoenix encloses Orion Nebula and the crowned raptor. -Click on the image to enlarge- Rotating the image of Orion Nebula to make the view easier, a very special portrayal raises up. Surrounded by the stylized flock-shaped flux in a highly symbolic scenario and representing all humanity, three human beings are depicted together- the early hunter using an animal pelt on the head, following the symbolism that has been shown in part F.1 next to the lunar power pyramid, embraces a mother and her child. -Click on the images to enlarge- The representation can be cross-referenced indeed by every transmuted carving of M42 over Earth, like these at the Southern Cone. -Click on the images to open or download the splittable comparative- The concept of death not as simple extinction but as "death on Earth" emerges effulgent from the darkness of human incomprehension- our cosmic evolution as species would lead to all kind of injustices. Orion operate a stupendous structure created to redeem humans, to heal, to promote justice. Our King is very close from us all. In Luke 6:20-21, redemption is established to the poor, and "you who hunger and weep now", while in Luke 14:12-14, Matthew 5:6 and 5:10, Jesus states that the righteous will also resurrect: "Looking at his disciples, he said: 'Blessed are you who are poor, for yours is the kingdom of God. Blessed are you who hunger now, for you will be satisfied. Blessed are you who weep now, for you will laugh.'" "Then Jesus said to his host, 'When you give a luncheon or dinner, do not invite your friends, your brothers or sisters, your relatives, or your rich neighbors; if you do, they may invite you back and so you will be repaid. But when you give a banquet, invite the poor, the crippled, the lame, the blind, and you will be blessed. Although they cannot repay you, you will be repaid at the resurrection of the righteous.'" "Blessed are those who hunger and thirst for righteousness, for they will be filled." "Blessed are those who are persecuted because of righteousness, for theirs is the kingdom of heaven." In Luke 15:7 Jesus reinforces the relevancy of human repentance, whilst in Mark 11:25 he states that for a person to earn King's forgiveness they must also be willing to forgive others, and in Romans 2:5-8 the judgement of our individual choices, corresponding to the exercise of self-determination and connected to "The Sheep and the Goats", is focused: "I tell you that in the same way there will be more rejoicing in heaven over one sinner who repents than over ninety-nine righteous persons who do not need to repent." "And when you stand praying, if you hold anything against anyone, forgive them, so that your Father in heaven may forgive you your sins." "But because of your stubbornness and your unrepentant heart, you are storing up wrath against yourself for the day of God’s wrath, when his righteous judgment will be revealed. God will repay each person according to what they have done. To those who by persistence in doing good seek glory, honor and immortality, he will give eternal life. But for those who are self-seeking and who reject the truth and follow evil, there will be wrath and anger." Jesus has not only represented our King on Earth teaching about love and forgiveness, but gave his life in great suffering bringing cosmic reality, using metaphors and paraboles, to humankind. The contrariety between "christians" and "non-christians" is intrinsically meaningless- Christ legacy of "love one another" and inclusion refers to one planet for one same species, or race, as a synthesis of his own epithet. "A new command I give you: Love one another. As I have loved you, so you must love one another. By this everyone will know that you are my disciples, if you love one another." John 13:34-35 . . . . . "Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me." "To the one who is victorious, I will give the right to sit with me on my throne, just as I was victorious and sat down with my Father on his throne." "And I saw what looked like a sea of glass glowing with fire and, standing beside the sea, those who had been victorious over the beast(...)." "Give us this day our daily bread, and forgive us our debts, as we also have forgiven our debtors. And lead us not into temptation, but deliver us from evil." Temptation and evil are inherently human- the "beast" lives inside each and everyone of us. The victorious is the righteous one; is the improved oneself, who accepts the way of righteousness as the expression of self-determination. It is never too late. The right choices you take will not go unnoticed. | |
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